HomeMy WebLinkAbout06-06-2024 Public Art Advisory CommitteePublic Art Advisory Committee
Thursday, June 6, 2024
3:30 PM
Emma Harvat Hall
City Hall, 410 E. Washington
AGENDA
1. Call to order
2. Public discussion of any items not on the agenda
3. Consider minutes of the April 4, 2024 PAAC Meeting
4. South District Bus Stop Bench Project Update & Contract Discussion
5. Sculptor's Showcase Selections for 2024-2026
6. Discuss FY2025 Budget Priorities
7. Staff updates
a. Arts Stakeholder Meeting — New Date TBD
b. July Meeting Date (falls on July 4"' holiday)
8. Old or New Business
9. Adjournment
If you will need disability -related accommodations in order to participate in this program/event, please
contact Rachel Kilburg Varley, Public Art Coordinator at 319-356-5014 or rkilburg@iowo-city.org. Early
requests are strongly encouraged to allow sufficient time to meet your access needs.
Draft, p.1
Public Art Advisory Committee Mtg, 4/4/2024
Minutes
Public Art Advisory Committee
April 4, 2024
Emma Harvat Hall
Public Art Advisory Committee
Members Present: Ben Clark, Steve Miller, Andrea Truitt, Jeremy Endsley, Rachel
Kinker, Leslie Finer, Nate Sullivan
Members Absent: Anita Jung, Juli Seydell Johnson
Staff present: Rachel Kilburg Varley
Public Present: None
Call to Order
Miller called the meeting to order at 3:36 p.m.
Public Discussion of Any Item Not on the Agenda
None.
Introduction of new members: Leslie Finer and Rachel Kinker
Committee members introduced themselves and welcomed new members, Kinker and
Finer.
Officer elections: Chairperson and Vice -Chairperson
Per the PAAC by-laws, officers must be elected annually in February or the first
possible meeting thereafter. Sullivan nominated Miller for the role of Chairperson, Clark
seconded. Miller nominated Truitt for the role of Vice -Chairperson, Endsley seconded.
Miller made motion to approve these nominations, motion passed (7-0).
Consider minutes of the February 1, 2024 PAAC meeting.
Truitt moved and Endsley seconded that the minutes from the February 1, 2024,
meeting be approved. Motion passed (7-0).
Determine Awards for the 2024 Public Art Matching Grant Program
Committee members individually scored 2024 Public Art Matching Grant applications
using a scoring rubric prior to the April PAAC meeting. Kilburg projected the compiled
scores and anonymous comments for Committee review and discussion. Kilburg shared
that $15,500 was available to award and approximately $46,505 in funding was
requested. She noted that a few applicants (Open Air Media Festival, Public Space
One, Family Folk Machine) were previous recipients of Public Art Matching Grant funds,
though that does not disqualify them from being funded again. Kilburg also mentioned
that after several Committee members had commented that two applicants' proposed
project budgets were incomplete, she reached out to those applicants to seek
Draft, p.2
Public Art Advisory Committee Mtg, 4/4/2024
clarification. Kilburg provided budget clarification received back on one of those grant
proposals.
Finer asked whether other Committee members felt the Open Air Media Festival
submission was different enough from the past to warrant funding. Miller mentioned it is
an annual event and that they are continuing to grow and invite new artists each year,
but suggested the Committee consider allocating less than the amount requested. Finer
asked whether there was a minimum funding requirement the Committee had to follow
and Kilburg said the Committee has the discretion to make an award at any amount
they desire.
Sullivan noted that Open Air Media Festival, Quicker than a Ray of Light, Summer
Groove Dance, This Too Shall Pass, Refocus Film Festival, Illuminating Excellence, and
the Writing Garden proposals received the highest scores and suggested the
Committee decide whether and how much to fund each of these top proposals. Miller
suggested maxing out grant awards at $3,000 in order to fund all of these proposals.
Committee members deliberated briefly. Several Committee members mentioned they
liked the Englert's grant application and were disappointed it fell just outside of the top
scores.
Kilburg pointed out that, if funded, Open Air Media Festival will have been a top scoring
application and funded for five years in a row. She suggested that, in the future, the
Committee could consider funding that annual event as a sponsorship, rather than
continuing to put it through the grant program, which would make more funding
available for other projects. The Committee decided to discuss that possibility in the
future before the next grant cycle.
Sullivan made a motion to approve the following Public Art Matching Grant allocations,
Finer seconded:
• Open Air Media Festival - $3,000
• Quicker Than Ray of Light Then Gone - $1,725
• Summer Groove Dance — $555
• This Too Shall Pass — $3,000
• Refocus Film Festival — $3,000
• Illuminating Excellence - $3,000
• Writing Garden - $1,500
Motion passed (7-0).
Discuss Sculptor's Showcase Program for 2024-2026
Kilburg Varley reviewed that the Sculptor's Showcase has been being offered annually,
in which the Committee issues a Call for Artists to submit sculptures for consideration
Draft, p.3
Public Art Advisory Committee Mtg, 4/4/2024
and selection for placement on one of 8 pads throughout the community. For the next
round, staff recommended the following changes:
• Transitioning from a one-year to two-year display period, which would lessen
burden on both artists and City staff and open up additional budget flexibility in
the "off' years;
• Increasing the artist honorarium due to a longer display period; and
• Streamlining the application form and imposing a maximum limit of 3 artwork
submissions per artist.
Committee members agreed with the proposed two-year cycle and discussed the
amount of the honorarium and directed Kilburg to research stipends paid to artists in
similar programs in other communities and establish a competitive rate based on that.
Sullivan made a motion to accept the memorandum and increase the honorarium rate to
no more than $2,500 for two years, Finer seconded. Motion passed (7-0).
Discuss Lucas Farms Neighborhood & Meskwaki/Sauk History Project
Kilburg shared that, after the Call for Qualifications for this project was unsuccessful,
she contacted faculty at the Meskwaki Settlement School to discuss a possible
partnership on a public art installation that involved students through art and trades
curriculum. The students would have the opportunity to develop a design based on
neighborhood input, fabricate the installation through their coursework, and install the
project under the leadership of the faculty. Kilburg shared a proposal letter the faculty
drafted which included a couple of concept ideas to demonstrate how they would
approach the project. She clarified that the Committee was not selecting one of these
concepts but should indicate whether they wish to move forward with this process. A
concept would still be developed by the school faculty and students in partnership with
the neighborhood, with final concept approval by the Committee.
Discuss South District Bus Stop Bench Project
Kilburg reminded the Committee that, after several delays due to budget issues, the
Committee increased the project budget in September 2023 and has been waiting for
an updated timeline and budget from the artist and artist mentor in order to amend the
initial agreements. They artists submitted an updated budget just prior to the April 4,
2024 PAAC meeting, which was below the established $24,000 maximum budget Oust
under $20,000). Miller asked about the responsiveness and timeliness of the
artist/mentor on previous milestones. Kilburg shared that she had established monthly
check -in meetings with the artist/mentor and there had been some difficulty with seeing
progress be made over the last few months. Committee members discussed setting
specific and firm project milestone deadlines to ensure the project stays on track.
Kilburg suggested signing a first amendment to their agreements which would deliver
the 4:1 scale metal model by May 15th. If that deliverable was met, then the Committee
could consider signing a second amendment with the artist/mentor to complete the
project in full, with those firm and specific milestone deadlines included. Truitt
Draft, p.4
Public Art Advisory Committee Mtg, 4/4/2024
suggested the Committee invites the artist/mentor to provide more frequent progress
updates at PAAC meetings, and not just with staff. She also asked whether making
smaller, more incremental payments to the artist/mentor is possible to ensure the
deliverables are being met. Miller asked Kilburg to work with the City Attorney's Office to
determine the right contract language that accomplishes the Committee's interest in firm
deadlines and fiscal responsibility. Kinker made a motion to authorize an agreement
amendment with both the artist and mentor for the completion of the 4:1 scale metal
model, Sullivan seconded. Motion passed (7-0).
Outreach & Enclaclement Subcommittee Updates
Miller mentioned a draft agenda for the Arts Stakeholder Meeting was included in the
agenda packet and asked for any comments or feedback. The Committee members
discussed possible dates and Truitt and Finer encouraged staff to consider a guest
speaker who would be a fresh voice for attendees. Miller also suggested lengthening
the period for discussion and that the agenda timeline overall felt a little rushed. Kilburg
agreed to incorporate these suggestions and continue planning the event.
Staff Updates
Kilburg shared that the Downtown Iowa City Cultural & Entertainment District launched
a new marketing campaign, "X Marks the Arts," and encouraged Committee members
to subscribe to the newsletter.
Kilburg Varley also shared that she is unable to attend the May PAAC meeting and will
have another staff member lead the meeting in her absence.
Miller and Truitt shared their experiences and thoughts on the Regional Arts Summit
which they attended in March.
Adjournment
Clark moved to adjourn at 4:39 pm. Sullivan seconded. Motion passed (7-0).
Draft, p.5
Public Art Advisory Committee Mtg, 41412024
Public Art Advisory Committee
Attendance Record
MIMI IYU
Name
Term
Expires
2/2123
416/22
514122
618123
716123
813123
917/23
1112123
1217/23
114124
211124
Ron Knoche
X
X*
X
X
X
X
X*
X
X
X*
X
Juli Seydell-
X
X
X
X
X
X
X
OIE
X*
X
X
Johnson
Steve Miller
12/31/23
X
OIE
X
X
X
X
X
X
X
X
X
Eddie
12/31/24
OIE
X
OIE
OIE
OIE
OIE
0
—
—
—
—
Boyken
Andrea
12/31/25
X
X
X
X
X
X
X
X
X
DIE
X
Truitt
Anita Jung
6/30/23
X
X
X
X
OIE
OIE
X
X
X
X
X
Jenny
12/31/23
X
DIE
DIE
X
X
X
DIE
DIE
X
—
—
Gringer
Jeremy
12/31/25
OIE
OIE
X
X
OIE
X
0
X
X
X
X
Endsley
Nate
6/30/26
—
—
—
—
X
X
X
X
X
OIE
OIE
Sullivan
Key
X
= Present
X*
= Delegate attended
O
= Absent
O/E
= Absent/Excused
---
= Not a member
South District Bus Stop Bench — Revised Budget
Subtotal
I Parts/Labor
aid Out
emaining
1: Concept
DesignPhase
$1,300
Mentor Labor
1,300
$2,000
Artist Labor
2,000
-
$3,300
Phase 1 Subtotal
50
Phase 2: Fabrication
of 4:1-Scale Metal Model
Materials (qty x price):
$1,191.58
2in .120 EW Steel tubes Inr ft (113 x $4.64)
1,191.58
-
14G Steel - 4ft x 10ft sheets (2 x 283.63)
• Bolts & hardware (1 x $100)
$700
Artist Labor
700
$1,891.58
Fabrication
Phase 2 Subtotal
& Final Project
InstallationPhase
$1,191.58
700
3:
$2,805
of
Artist Labor
$2,805
$700
Mentor Labor
700
Materials (qty x price):
• 2in .120 EW Steel tubes Inr ft (450 x $4.64)
$7,684.29
a 14G Steel - 4ft x 10ft sheets (10 x $283.63)
$8,130.36
• Finishes - primer, paint, etc ( 4 x $150)
• Floor Mounted Jib Crane (1 x $2,606.06)
$1,150.00
Equipment rental (telehandler- 1 week)
0,150.00
$2,500.00
Cement Footing/Foundation
2,500.00
$5,000.00
Structural Engineer (30 hours x $100/hr)
5,000.00
+ 700
Credit: unspent funds for materials from Phase 2
$700.00
$19,585.36
Phase 3 Subtotal
Project Total
PO
$4,491.58
19,585.36
*Budget not to exceed:$24,000
**At least $776.94 needs to be reduced from amount remaining to be paid out.
Amendment #2
to
Agreement for The South District Bus Stop Bench Art Project
by and between the City and Ethan Wyatt
Whereas, on March 8, 2023, the City of Iowa City, hereinafter referred to as the CITY and Ethan Wyatt,
hereinafter referred to as ARTIST, entered in the Agreement for the South District Bus Stop Bench Project
by and between the City and Ethan Wyatt, hereinafter referred to as the Agreement; and
Whereas, the Agreement requires ARTIST to complete certain phases of the public art project,
hereinafter PROJECT, by certain dates; and
Whereas, on April 16, 2024, the City and ARTIST amended the Agreement to provide additional time for
the ARTIST to complete the fabrication of a 4:1 scale metal model and the City agreed to increase the
overall project budget to no more than $24,000; and
Whereas, the City has paid ARTIST $3,191.58 for labor and cost of materials for metal model; and
Whereas, although ARTIST has not completed all remaining phases as required under the Agreement,
the City and ARTIST desire to allow ARTIST additional time to complete the full scope of the PROJECT.
NOW THEREFORE, it is agreed by and between the City and ARTIST to further amend the amended
Agreement as set forth herein.
Article 1, entitled Scope of Services, is amended by deleting Paragraph 1.1 b in its entirety and the following
new Paragraph 1.1 b is substituted in lieu thereof:
b. ARTIST shall work with the Project Mentor and CITY'S REPRESENTATIVE to produce and install
the PROJECT by September 30, 2024, according to the following schedule:
Deadline Payment Milestone
June 30, 2024 ARTIST will identify the materials to be purchased along with the cost of
the materials by this date. The City will promptly make a payment to
ARTIST for the cost of the materials upon City review and approval of the
materials to be purchased. After purchasing the materials, ARTIST must
provide receipts from the materials to the City, and any unspent funds will
be subtracted from future payments or reimbursement requests owed.
Aug. 30, 2024 Artist Payment #1 ($1,403)* Fabricate sculpture & installation
of concrete pad and footings
Sept. 30, 2024 Artist Payment #2 ($1,403)* Install jib crane & sculpture
ARTIST shall also submit invoices for any equipment rental, concrete pad
and footings, and structural engineer services by this date. The City will
promptly make a payment to the vendor upon City review and approval.*
The City shall not make any payments in excess of the maximum project
budget or for any ineligible expenses. It is the responsibility of the
ARTIST to obtain pre -approval from the City for such expenses to avoid
incurring ineligible expenses.
*less any unspent funds from the payment for materials
ARTIST agrees and acknowledges the PROJECT is incomplete.
If ARTIST fails to meet any of the milestones by the deadline, the City may terminate this Agreement
as provided for herein, and if terminated, the City shall not be obligated to pay ARTIST any
remaining scheduled payments, and ARTIST shall immediately reimburse the City for the funds the
City paid to ARTIST to purchase the materials.
City payments shall not exceed $24,000, less all expenses already paid out to this Agreement
($3,191.58) and under the separate Mentor Agreement dated January 4, 2023 ($1,300).
All other provisions of the Agreement and Amendment #1 to the Agreement, not inconsistent with this
amendment, remain in full force and effect.
ARTIST
Ethan Wyatt Date
Artist
CITY
Geoff Fruin Date
City Manager
Approved:
City Attorney's Office
PUBLIC ART SPECIFICATIONS AND MAINTENANCE REPORT
ARTIST:
TITLE OF WORK:
PROJECT ADDRESS
PART I - FABRICATION AND INSTALLATION INFORMATION
MATERIALS
1. Material(s) used (be specific; include also source or manufacturer, life expectancy of material
according to manufacturer; attach manufacturer's technical data sheets, if available):
2. Material finish (e.g., natural, paint color and type, glaze, patina, sealer, fire retardant, etc.; be
specific; include also brand or manufacturer):
3. Materials used in the presentation of the artwork (e.g., composition of base or backing,
framing, type of hanging fixtures, etc.):
FABRICATION
1. Fabricator
Name:
Address:
Phone Number:
2. Fabrication technique or method (attach diagrams or drawings, if necessary):
INSTALLATION
1. Installation executed by:
Name:
Address:
Phone Number:
2. Installation method (attach plans showing footing and/or key installation details):
EXTERNAL FACTORS
1. Describe physical positioning of the artwork (e.g., measured distances from relative objects
or points in the environment):
2. Describe existing environmental factors which may affect the condition of the artwork and
any precautionary measures (e.g., direct sunlight, extremes of annual rain, temperature, air
moisture or dryness, acidity of rainfall, flooding, wind, erosion, vibrations, air pollutants,
vehicular and/or pedestrian traffic; animal interaction --bird droppings, potential for nesting,
burrowing; human interaction with artwork --touching, sitting, climbing, vandalism):
DESIRED APPEARANCE
1. Describe the desired appearance in specific terms including the physical qualities such as
matte rather than glossy luster; color of patina etc., for which the agency should strive in order
to maintain the artist's intent. Describe what may be acceptable alterations in form surface,
texture and coloration as related to natural aging of materials. Include drawings or photographs
which show the condition of the artwork upon installation:
2. If the work is site -specific, describe in detail the particular relationship of the work to its site,
including any significant physical aspects of the site, which, if altered, would significantly alter
the artist's intended meaning and/or appearance for the work (attach drawings as appropriate):
PACKING AND SHIPPING INSTRUCTIONS
1. Please explain how the art should be packed and shipped should the artwork ever need to
be transported (be specific, attach diagrams if necessary):
PART II - CONSERVATION INSTRUCTIONS
The Artist should provide detailed instructions regarding the methods and frequency of maintenance for
the artwork as follows (attach additional information as appropriate):
1. Routine maintenance (e.g., removal of dust, dirt; maintenance of protective surfaces;
tightening, adjusting, oiling; trimming of plant materials, etc.):
2. Cyclic maintenance (less frequent and more extensive preventive measures, e.g.,
disassembly and inspection; reapplication of protective sealers; repainting; cleaning of textiles,
etc.):
3. Who should be considered competent to perform cyclic maintenance? Describe any special
training, materials, tools, or procedures required.
4. Who should be considered competent to perform significant repairs?
5. Describe any special training, materials, tools, or procedures required for refitting, replacing,
or reconstructing portions of the artwork damaged by vandalism, accidents, disasters, or
weathering.
AMENDMENT #2 TO AGREEMENT
Whereas, on January 4, 2023, the City of Iowa City, a municipal corporation, hereinafter referred
to as the City, and Ray Michels of Iowa City, Iowa, hereinafter referred to as the Consultant,
entered into the Agreement (hereinafter referred to as the Agreement) for the mentorship of an
emerging artist; and
Whereas, on April 17, 2024, the City and Consultant amended the Agreement to provide
additional time for the Consultant to complete mentorship services through on the fabrication of a
4:1 scale metal model; and
Whereas, although the full scope of mentorship services have not been completed, the City and
Consultant desire to further amend the Agreement to allow Consultant additional time to complete
the mentorship services for the completed and installed project.
NOW THEREFORE, it is agreed by and between the City and Consultant to further amend the
Agreement as set forth herein.
Part II of the amended Agreement, entitled Time of Completion, is amended by adding the
following:
• Consultant agrees and acknowledges the bench has not been installed.
• Consultant shall provide mentorship guidance to the Emerging Artist through the
completion of the project by September 30, 2024.
• Consultant acknowledges he may be invited to attend the Public Art Advisory Committee
meeting no more than monthly to provide an update and answer questions.
• If Consultant fails to provide the mentorship services to the Emerging Artist through
September 30, 2024, the City may terminate this Agreement as provided for herein, and if
terminated, the City shall not be obligated to pay Consultant $700 for installation of the
bench.
All other provisions of the Agreement, not inconsistent with this amendment, remain in full force
and effect.
For the City
Geoff Fruin, City Manager
Date: 2024
For the Consultant
Ray Michels
Date: .2024
Approved by:
City Attorney's Office
Date
Agreement for
The South District Bus Stop Bench Art Project
By and between the City and Ethan Wyatt
THIS AGREEMENT is made on, % , 2023, between the City of Iowa City, hereinafter
referred to as the CITY, who is the owner of the bus stop #7126 on Highway 6 east of Heinz Road, Iowa
City, Iowa and hereinafter referred to as ARTIST. For the purposes of this
Agreement, the CITY'S REPRESENTATIVE shall be the City Manager or designee, the COMMITTEE
shall be the Iowa City Public Art Advisory Committee and the PROJECT shall be the South District Bus
Stop Bench Art Project.
WHEREAS, the COMMITTEE issued a Call for Emerging Artists inviting artists to submit their
qualifications to participate in the PROJECT funded through the Iowa City Public Art program in January
2023; and
WHEREAS, several responses were received by area artists; and
WHEREAS, a subcommittee comprised of representatives of the South District Neighborhood
Association and the COMMITTEE and the Project Mentor met to review submissions and form a
recommendation for the COMMITTEE; and
WHEREAS, on February 5, 2023, the COMMITTEE reviewed the submissions and supported the
recommendation of the subcommittee to work with the ARTIST; and
WHEREAS, the PROJECT requires that the ARTIST and Project Mentor coordinate with the South
District Neighborhood Association in developing a design for the PROJECT by responding to their input
for the PROJECT; and
WHEREAS, the, parties hereto now wish to memorialize the relative rights and responsibilities regarding
completion and maintenance of the PROJECT.
NOW, THEREFORE, in consideration of the mutual promises and undertakings contained herein, the
parties agree as follows:
Article 1. Scope of Services
1.1 General
The parties agree that the PROJECT will be reviewed and approved by representatives of the
South District Neighborhood Association and the COMMITTEE at meetings to be held in April and
May, 2023.
a. CITY shall pay ARTIST a commission of $10,000 for the PROJECT according to the
schedule set forth below, which may be withheld as provided herein.
b. ARTIST shall work with the Project Mentor and CITY'S REPRESENTATIVE to produce
and install the PROJECT by September 30,2023 according to the following schedule:
Date
Payment
Milestone
Feb. 28, 2023
151 installment
Committee approves recommended artist
(within 21 days)
$2,000
May 4, 2023
2nd installment
Artist, Project Mentor and South District
(within 15 days)
$8,000
Neighborhood reps share approved final
designs with Committee and Committee
approves
Failure to meet the above schedule will result in withholding payment to the ARTIST and/or
termination of this Agreement, as provided herein.
C. The CITY'S REPRESENTATIVE shall have the right to review the PROJECT at
reasonable times during the fabrication and installation thereof to ensure general conformity to
final approved design plans.
d. The CITY agrees to provide access to the ARTIST as necessary for site
preparation/installation of the PROJECT.
e. The ARTIST agrees to work with the CITY in planning for and installation of the PROJECT
throughout the process. The CITY reserves the right to determine what components of the
installation the CITY can reasonably provide given skill and other available resources. The
ARTIST agrees to be responsible for all costs related to the installation of the PROJECT beyond
the agreed upon CITY installation assistance. It is expressly understood and agreed that the
acceptance and installation of the PROJECT is conditioned upon the feasibility of a safe and
secure installation. If it is determined by the CITY, after arrival of the PROJECT or before then,
that because of inherent qualities or attributes of the PROJECT it is not feasible or consistent with
the budgeting resources to install the PROJECT safely and securely, the CITY shall be under no
obligation to do so.
f. All costs related to the transportation and delivery of the PROJECT from the ARTIST to
the CITY shall be the responsibility of the ARTIST. Delivery will be complete when the ARTIST
delivers and installs the PROJECT on the bus stop pad at stop #7126 on Highway 6 east of Heinz
Road, Iowa City, Iowa.
g. The CITY, as owner of the bus stop at which the PROJECT is to be installed, reserves the
right, in its sole discretion, to perform any maintenance activities without having any requirement
or obligation to replace, refurbish, pay compensation or reimbursement for any part of the
PROJECT that may be damaged or destroyed, and CITY makes no warranties that any such
actions will not result in damage or destruction to said PROJECT. Further, CITY, as owner of the
PROJECT may, in its sole discretion, take any other actions consistent of the public use of said
PROJECT or public necessity without having any requirement or obligation to replace, refurbish,
pay compensation or reimbursement for any part of the PROJECT that may be damaged or
destroyed, and CITY makes no warranties that any such actions will not result in damage or
destruction to said PROJECT.
1.2 Maintenance and Longevity
a. Upon completion of the PROJECT, the ARTIST shall provide to the CITY'S
REPRESENTATIVE a Specification and Maintenance Report (attached) that outlines the
appropriate maintenance and preservation of the PROJECT.
b. Notwithstanding paragraph 1.1 (h) above, the CITY requires, and ARTIST agrees to
maintain the PROJECT in place for three years from acceptable completion of the project.
c. ARTIST agrees that they will not intentionally damage, alter, modify or change the
PROJECT without the prior written approval of the CITY.
1 .3 Risk of Loss
The risk of loss or damage to the PROJECT shall be borne by the ARTIST.
Article 2. Certifications
2.1 Certifications of Title
ARTIST represents and certifies that, to the best of its knowledge: (a) the PROJECT is solely the
result of the effort of ARTIST; (b) the PROJECT is unique and original and does not infringe upon
any copyright; and (c) the PROJECT is free and clear of any liens from any source whatever.
2.2 Warranties of Quality and Condition
CITY accepts responsibility for all general maintenance and repair as outlined in the
maintenance guidebook and as well as repairs necessary due to general wear and tear from
daily use for the life of the PROJECT.
ARTIST represents and certifies that, to the best of its knowledge: (a) the execution and
fabrication of the PROJECT will be performed in a workmanlike manner; (b) the PROJECT, as
fabricated and installed, will be free of defects in material and workmanship, including any
defects consisting of inherent qualities which cause or accelerate deterioration of the
PROJECT; and (c) the ARTIST accepts responsibility for repair of defects in material or
workmanship that occurred during the execution and fabrication of the PROJECT for the first
two years after installation.
Article 3. ARTIST as Independent Contractor.
ARTIST shall perform all work under this Agreement as an independent contractor and not as an
agent or an employee of the CITY. ARTIST shall not be supervised by any employee or official of
the CITY, nor shall ARTIST exercise supervision over any employee or official of the CITY.
Article 4. Termination
If any party to this Agreement shall willfully or negligently fail to fulfill in a timely and proper
manner, or otherwise violate, any of the covenants, agreements or stipulations material to this
Agreement, the other party shall thereupon have the right to terminate this Agreement by giving
written notice to the defaulting party of its intent to terminate specifying the grounds for
termination. The defaulting party shall have thirty (30) days after receipt of the notice to cure the
default. If it is not cured, then this Agreement shall terminate.
Article 5. General Terms
5.1. ARTIST shall not, to the best of its ability commit any of the following employment
practices and agrees to prohibit the following practices in any subcontracts:
5.1.1. To discharge or refuse to hire any individual because of their race, color, religion,
sex, national origin, disability, age, marital status, gender identity, or sexual orientation.
5.1.2. To discriminate against any individual in terms, conditions, or privileges of
employment because of their race, color, religion, sex, national origin, disability, age,
marital status, gender identity, or sexual orientation.
5.2 Should any section of this Agreement be found invalid, it is agreed that the remaining
portion shall be deemed severable from the invalid portion and continue in full force and effect.
5.3 Upon signing this Agreement, ARTIST acknowledges that Section 362.5 of the Iowa Code
prohibits a City officer or employee from having an interest in a contract with the City, and certifies
that no employee or officer of the City, which includes members of the City Council and City
boards and commissions, has an interest on behalf of ARTIST, either direct or indirect, in this
Agreement, that does not fall within the exceptions to said statutory prohibition enumerated in
Section 362.5.
Article 6. Entire Agreement
This writing embodies the entire agreement and understanding between the parties hereto, and
there are no other agreements and understandings, oral or written, with reference to the subject
matter hereof that are not merged herein and superseded hereby.
Article 7. Modification
No alteration, change, or modification of the terms of the Agreement shall be valid unless made
in writing and signed by both parties hereto and approved by appropriate action of the CITY.
ARTIST
oh
� /% /Zoz3
Ethan Wyatt
Date
Artist
CITY
City Manager
Approved:
�1:. M t J
City Attorney's Office
PUBLIC ART SPECIFICATIONS AND MAINTENANCE REPORT
ARTIST:
TITLE OF WORK:
PROJECT ADDRESS
PART I - FABRICATION AND INSTALLATION INFORMATION
MATERIALS
1. Material(s) used (be specific; include also source or manufacturer, life expectancy of material
according to manufacturer; attach manufacturer's technical data sheets, if available):
2. Material finish (e.g., natural, paint color and type, glaze, patina, sealer, fire retardant, etc.; be
specific; include also brand or manufacturer):
3. Materials used in the presentation of the artwork (e.g., composition of base or backing,
framing, type of hanging fixtures, etc.):
FABRICATION
1. Fabricator
Name:
Address:
Phone Number:
2. Fabrication technique or method (attach diagrams or drawings, if necessary):
INSTALLATION
1. Installation executed by:
Name:
Address:
Phone Number:
2. Installation method (attach plans showing footing and/or key installation details):
EXTERNAL FACTORS
1. Describe physical positioning of the artwork (e.g., measured distances from relative objects
or points in the environment):
2. Describe existing environmental factors which may affect the condition of the artwork and
any precautionary measures (e.g., direct sunlight, extremes of annual rain, temperature, air
moisture or dryness, acidity of rainfall, flooding, wind, erosion, vibrations, air pollutants,
vehicular and/or pedestrian traffic; animal interaction --bird droppings, potential for nesting,
burrowing; human interaction with artwork --touching, sitting, climbing, vandalism):
DESIRED APPEARANCE
1. Describe the desired appearance in specific terms including the physical qualities such as
matte rather than glossy luster; color of patina etc., for which the agency should strive in order
to maintain the artist's intent. Describe what may be acceptable alterations in form surface,
texture and coloration as related to natural aging of materials. Include drawings or photographs
which show the condition of the artwork upon installation:
2. If the work is site -specific, describe in detail the particular relationship of the work to its site,
including any significant physical aspects of the site, which, if altered, would significantly alter
the artist's intended meaning and/or appearance for the work (attach drawings as appropriate):
PACKING AND SHIPPING INSTRUCTIONS
1. Please explain how the art should be packed and shipped should the artwork ever need to
be transported (be specific, attach diagrams if necessary):
PART II - CONSERVATION INSTRUCTIONS
The Artist should provide detailed instructions regarding the methods and frequency of maintenance for
the artwork as follows (attach additional information as appropriate):
1. Routine maintenance (e.g., removal of dust, dirt; maintenance of protective surfaces;
tightening, adjusting, oiling; trimming of plant materials, etc.):
2. Cyclic maintenance (less frequent and more extensive preventive measures, e.g.,
disassembly and inspection; reapplication of protective sealers; repainting; cleaning of textiles,
etc.):
3. Who should be considered competent to perform cyclic maintenance? Describe any special
training, materials, tools, or procedures required.
4. Who should be considered competent to perform significant repairs?
5. Describe any special training, materials, tools, or procedures required for refitting, replacing,
or reconstructing portions of the artwork damaged by vandalism, accidents, disasters, or
weathering.
Amendment
to
Agreement for
The South District Bus Stop Bench Art Project
by and between the City and Ethan Wyatt
Whereas, on March 8, 2023, the City of Iowa City, hereinafter referred to as the CITY and Ethan Wyatt,
hereinafter referred to as ARTIST, entered in the Agreement forthe South District Bus Stop Bench Project
by and between the City and Ethan Wyatt, hereinafter referred to as the Agreement; and
Whereas, the Agreement requires ARTIST to complete certain phases of the public art project,
hereinafter PROJECT, by certain dates; and
Whereas, although ARTIST has not completed said phases as required under the Agreement, the City
and ARTIST desire to allow ARTIST additional time to complete the PROJECT.
NOW THEREFORE, it is agreed by and between the City and ARTIST to amend the Agreement as set
forth herein.
Article 1, entitled Scope of Services, is amended by deleting Paragraph 1.1 b in its entirety and the following
new Paragraph 1.1b is substituted in lieu thereof:
b. ARTRTIST shall work with the Project Mentor and CITY'S REPRESENTATIVE to:
Date Payment - Milestone
April 15, 2024 1" installment ($1,191.58) Purchase materials
May 23, 2024 2"d installment ($700.08) Fabricate 1:4 scale metal model of
the final bench design
ARTIST agrees and acknowledges the PROJECT is incomplete.
If fabrication of a 1:4 scale metal model of the final bench design is completed by May 23, 2024, the
CITY and ARTIST may enter into a second amendment to this Agreement to establish deadlines
and the remaining PROJECT budget for the time period until the bench is fully installed and the
PROJECT is completed. ARTIST acknowledges he may be invited to the Public Art Advisory
Committee meeting on June 6, 2024, to provide an update and answer questions.
If ARTIST fails to fabricate a 1:4 scale metal model of the final bench design by May 23, 2024, the
City may terminate this Agreement as provided for herein, and if terminated, the City shall not be
obligated to pay ARTIST $700.08 for fabrication of the metal model.
Article 4, entitled Termination, is deleted in its entirety and the following new Article 4 is substituted in
lieu thereof:
If any party to this Agreement shall fail to fulfill in a timely and proper manner, or otherwise violate,
any of the covenants, agreements or stipulations material to this Agreement, the other party shall
thereupon have the right to terminate this Agreement by giving written notice of termination
specifying the grounds for termination.
Failure to meet the above schedule will result in withholding payment to the ARTIST and/or
termination of this Agreement, as provided herein.
All other provisions of the Agreement, not inconsistent with this amendment, remain in full force and effect.
ARTIST
Ethan Wyatt 4/16/2024
Ethan Wyatt Date
Artist
CITY
GeoOFruin Date
City Manager
Approved:
City Attorney's Office
AGREEMENT
This agreement, made and entered into this 4th day of January 2023,
by and between the City of Iowa City, a municipal corporation, hereinafter referred to as the City,
and Ray Michels of Iowa City, Iowa, hereinafter referred to as the Consultant.
Whereas, the City, in cooperation with the Iowa City Public Art Advisory Committee ("PAAC")
and the South District Neighborhood Association ("SDNA"), desire the services of a person to
mentor an emerging artist through the process of design and fabrication of a City bus stop
bench; and
Whereas, the City issued a Request for Qualifications for an artist mentor; and
Whereas, Consultant responded to the Request for Qualifications and has been
selected to be the artist mentor.
NOW THEREFORE, it is agreed by and between the parties hereto that the City does now
contract with the Consultant to provide services as set forth herein.
SCOPE OF SERVICES
Consultant agrees to perform the following services for the City, and to do so in a timely and
satisfactory manner.
Consultant shall coach the emerging artist in the process of: (hours estimated in italics)
1. getting public input from the neighborhood through in person or electronic meetings (10)
2. selecting appropriate materials for fabrication (20)
3. fabricating the design of the bench (20)
4. installing the bench (10)
5. instructing the emerging artist on maintenance techniques (5)
The bench design shall highlight the South District neighborhood's rich cultural diversity.
The bench is to be a functional landmark in the neighborhood. The design shall respond
to or capture the diversity of language, background, and culture of the South District
residents.
• Consultant shall participate in the Public Art Advisory Committee and Neighborhood
Association's selection of the Artist, meet regularly with and be available to the emerging
artist for questions and assistance throughout the artistic process. This will include the
development of the Request for Proposals directed to Emerging Artists.
• Consultant shall, if requested, make recommendations on materials, design concepts,
design details, fabrication techniques, installation, and budget with the goal of helping
mentor the emerging artist with the skills needed for building a career as an artist.
The location of the bench will be just east of the intersection of Highway 6 East @ Heinz
Road (stop 7126).
It. TIME OF COMPLETION
The Consultant shall provide mentorship guiding the Emerging Artist through the completion of the
following phases of the Project in accordance with the schedule shown.
Published
Jan. 6, 2023
Artist Mentor assists in writing RFQ for Emerging Artists
Jan. 23, 2023
RFQ Submission deadline for Artists
By Jan. 31,
2023
Selection of Artist by Neighborhood representatives (date TBD)
SDNA proposes Emerging Artist selection to PAAC
Feb. 2, 2023
April 29, 2023
SDNA Approves Final Designs
May 4, 2023
SDNA shares final design with PAAC
September,
2023
Installation Completed
III. COMPENSATION FOR SERVICES
For the services provided herein, the City shall pay Consultant a lump sum of $2,000 including
expenses. The $2000 total will be paid on the following schedule:
$600 upon the Neighborhood's selection of the Artist, scheduled for Jan. 31, 2023
$700 upon SDNA's recommending designs to the Public Art Advisory Committee,
scheduled for May 4, 2023
$700 upon installation of the bench
IV General Terms
A. The Consultant shall not commit any of the following employment practices and
agrees to prohibit the following practices in any subcontracts.
To discharge or refuse to hire any individual because of their race, color,
religion, sex, national origin, disability, age, marital status, gender identity,
or sexual orientation.
2. To discriminate against any individual in terms, conditions, or privileges of
employment because of their race, color, religion, sex, national origin,
disability, age, marital status, gender identity, or sexual orientation.
B. Should the City terminate this Agreement, the Consultant shall be paid for all work
and services performed up to the time of termination. However, such sums shall
not be greater than the "lump sum" amount listed in Section III. The City may
terminate this Agreement upon seven (7) calendar days' written notice to the
Consultant.
C. This Agreement shall be binding upon the successors and assigns of the parties
hereto, provided that no assignment shall be without the written consent of all
Parties to said Agreement.
D. It is understood and agreed that the retention of the Consultant by the City for the
purpose of the project shall be as an independent contractor and shall be
exclusive, but the Consultant shall have the right to employ such assistance as
may be required for the performance of the project.
E. It is agreed by the City that all records and files pertaining to information needed by
the Consultant for the project shall be available by said City upon reasonable
request to the Consultant. The City agrees to furnish all reasonable assistance in
the use of these records and files.
F. It is further agreed that no Party to this Agreement shall perform contrary to any
state, federal, or local law or any of the ordinances of the City of Iowa City, Iowa.
G. [Par. G, H, and I are intentionally omitted.]
J. The City agrees to tender the Consultant all fees in a timely manner, excepting,
however, that failure of the Consultant to satisfactorily perform in accordance with
this Agreement shall constitute grounds for the City to withhold payment of the
amount sufficient to properly complete the Project in accordance with this
Agreement.
K. Should any section of this Agreement be found invalid, it is agreed that the
remaining portion shall be deemed severable from the invalid portion and continue
in full force and effect.
L. [Par. L and M are intentionally omitted.]
N. Upon signing this Agreement, Consultant acknowledges that Section 362.5 of the
Iowa Code prohibits a City officer or employee from having an interest in a contract
with the City, and certifies that no employee or officer of the City, which includes
members of the City Council and City boards and commissions, has an interest,
either direct or indirect, in this Agreement, that does not fall within the exceptions to
said statutory provision enumerated in Section 362.5.
O. Indemnification.
To the full extent permitted by law, Consultant agrees to defend,
indemnify, and hold harmless the City against any and all claims,
demands, suits, loss, expenses, including attorney's fees, and for any
damages which may be asserted, claimed or recovered against or from
the City by reason of personal injury, including bodily injury or death, and
property damages, including loss of use thereof, caused by Consultant's
negligent acts, errors or omissions in performing the work and/or services
provided by Consultant to the City pursuant to the provisions of this
Agreement. Notwithstanding the foregoing, Consultant shall in not event
be obligated to City under this Section O for any losses that exceed the
total amount paid by City to Consultant under this Agreement.
The Consultant's obligation to indemnify the City shall not include the
obligation to indemnify, hold harmless, or defend the City against lability,
claims, damages, losses, or expenses, including attorney fees, to the
extent caused by or resulting from the negligent act, error, or omission of
the City.
3. For purposes of this paragraph, the term "Consultant" means and
includes the Consultant, its officers, agents, employees, sub -consultants,
and others for whom Consultant is legally liable, and the term "City"
means and includes the City of Iowa City, Iowa its Mayor, City Council
members, employees, and volunteers.
P. [Par. P and Q are intentionally omitted.]
R. There are no other considerations or monies contingent upon or resulting from the
execution of this Agreement, it is the entire Agreement, and no other monies or
considerations have been solicited.
This Agreement shall be interpreted and enforced in accordance with the laws of
the State of Iowa. Any legal proceeding instituted with respect to this Agreement
shall be brought in a court of competent jurisdiction in Johnson County, Iowa. The
parties hereto hereby submit to personal jurisdiction therein and irrevocably waive
any objection as to venue therein, including any argument that such proceeding
has been brought in an inconvenient forum.
For the City
By:
Title:_
Date: U K /z 7
For the Consultant
BY
Title: Local Artist
Date: 04, January 2023
Approved by:
� 1
City Attorney's Office
r-v ,33
Date
FIRST AMENDMENT TO AGREEMENT
Whereas, on January 4, 2023, the City of Iowa City, a municipal corporation, hereinafter referred
to as the City, and Ray Michels of Iowa City, Iowa, hereinafter referred to as the Consultant,
entered into the Agreement (hereinafter referred to as the Agreement) for the mentorship of an
emerging artist; and
Whereas, the Agreement required Consultant to complete the mentorship services by September
2023; and
Whereas, although the mentorship services have not been completed, the City and Consultant
desire to amend the Agreement to allow Consultant additional time to complete the mentorship
services.
NOW THEREFORE, it is agreed by and between the City and Consultant to amend the
Agreement as set forth herein.
Part II of the Agreement, entitled Time of Completion, is amended by adding the following:
• Consultant agrees and acknowledges the bench has not been installed.
• Consultant shall provide mentorship guidance to the Emerging Artist through the
completion of the fabrication of a 4:1 scale metal model of the final bench design until
May 23, 2024.
• If fabrication of a 4:1 scale metal model of the final bench design is completed by May
23, 2024 and if Consultant has provided the mentorship services to the Emerging Artist
through May 23, 2024, the City and Consultant may enter into a second amendment to
this Agreement to establish deadlines for the time period until the bench is fully installed
and Consultant acknowledges he may be invited to the Public Art Advisory Committee
meeting on June 6, 2024 to provide an update and answer questions.
If Consultant fails to provide the mentorship services to the Emerging Artist through May
23, 2024, the City may terminate this Agreement as provided for herein, and if terminated,
the City shall not be obligated to pay Consultant $700 for installation of the bench.
All other provisions of the Agreement, not inconsistent with this amendment, remain in full force
and effect.
For the City For the Consultant
By: By:
G off CFr in, City Manager Ray Michels
Date: /�/ ! / .2024 Date: April 16
Approved by:
City Attorney's Office
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4/22/24, 1:44 PM PAAC Budget Survey
PAAC Budget Survey
5 responses
Publish analytics
Please select your top budgetary priorities for FY25, based on existing
PAAC programs, activities, and goals. (Select no more than 3).
5 responses
Sculptor's Showcase
Grant Programs
Large Neighborhood Art I...
Large Public (City -owned...
Maintenance of Existing...
Public Art Inventory & Me...
Outreach & engagement...
Artist support programs
0
1 2 3
Considering budget limitations, please identify any projects or programs
you would like to offer annually versus every other year.
6
Annually Every Other Year
4
7
I
LO Copy
3 (60%)
3 (60%)
L❑ Copy
Sculptors Grants Neighborhood Public Property Art Maintenance of
Showcase Public Art installations existing
installations installations
'J
https://docs.google.com/forms/d/1sOgpj JeNSbgPPonRjVjgnZV9FEBOWkHT-oLBSCn_VM/viewanalytics 113
4/22/24, 1:44 PM
PAAC Budget Survey
Considering limited staff capacity, please select the top 3 ways you L❑ Copy
would like staff time to be prioritized in FY25:
5responses
Planning: Public
Strategic Plan & Art Mair
Implementation of Lai
Public Art Proje
Outreach & Engagem
with artists & arts Comn
Maintain & improve exist
programs (Sculptor's Shc
Administer grant prograr
including the Matching C
0 1 2 3 4 5
5 (100%)
Please share any other thoughts, questions, or concerns you have regarding the Public
Art budget & priorities:
2responses
Getting an intern would be helpful due to the time commitment required for an updated Public
Art Strategic Plan.
Based on what staff priorities end up being and what staff capacity is, I'm wondering then if
PAAC members can help with certain other activities a bit more. As in: "Here are the staff
priorities we've laid out, here's where staff needs help/members can help.
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Google Forms
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4/22/24, 1:44 PM
PAAC Budget Survey
w
https://docs.google.com/forms/d/1 sOgpjjJeNSbgPPonRjVjgnZV9FEBO WkHT-oLBSCn_VM/viewanalytics 313
FY2025 Public Art Budget
Expense Line
Amount
Notes
Sculptor's Showcase (2024-2026)
$18,000
Selections made June 2024. Paid out in August.
South District Bench Project
$18,810
$24k total budget. $5,191.58 paid out to -date.
Lucas Farms Neighborhood Project
$17,137
Plan to resume in Fall semester
Dave Dennis — Maintenance Contract
$6,526
'Birds in Flight" remaining completion
Total
$53,947
Budget00(additional
Expense Line Amount
Notes
Maintenance
$15,000
Inventory Condition Assessment & public art
maintenance projects
Public Art Matching Grant Program
$15,000
Opportunity Fund
$23,500
Other grant programs or priorities
Misc.
$2,000
Longfellow tunnel, updated strategic plan, misc.
plaques or supplies
Total
$55,500