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HomeMy WebLinkAboutCV Heather Parrish_March2025Heather Parrish heather.r.parrish@gmail.com www.heatherparrish.art (2018-present) www.heatherparrish.net (pre-2018) 512.589.0241 Education 2014 MFA, University of Notre Dame, Notre Dame, IN 1999 BA, Kinesiology with K-12 Teaching Certification, University of Texas at Austin, Austin, TX 2004-11 Austin Community College, numerous courses in studio art and metal arts        Gallery Representation Flatbed Center for Contemporary Printmaking, Austin, Texas Collaborative Public Event 2025 [Upcoming] Meandering River Project A multi-dimensional event series fostering connection through space, time and community with the Iowa River. This is an iterative project with two participatory performances planned for May and September/October. Contributors are Stephanie Miracle (Dance), Jenna Supp-Montgomery (Communications/Religious Studies), Liz McTernan (Visual Art), Eric Gidal (English), David Cwiertny (Civil Engineering), Larry Weber (Hydraulics), Ramin Roshandel (Music) Solo Exhibitions 2025 [Upcoming] Project Art, University of Iowa Hospital, Iowa City, IA 2024 Cocoon with a Universe, Public Space One, Iowa City, IA 2023 Precipitate, a Scope Collective project, Open Source Gallery, Brooklyn, NY, link 2022 Seeing Out the Other Eye: A view through Waller Creek, Flatbed Center for Contemporary Printmaking, Austin, TX link Fugitive::Grounds, Ezra Stiles College Gallery, Yale University, New Haven, CT In conjunction with Desert Futures: Sahara conference, a Border Work collaboration with political geographer Dr. Leslie Gross Wyrtzen 2019 Border Disruption, University of Lethbridge, Lethbridge, Canada In conjunction with The Line Crossed Us: New Directions in Critical Border Studies, a Border Work collaboration with political geographer Dr. Leslie Gross Wyrtzen 2018 TimeSpaceShadow, Artlink Gallery, Fort Wayne, IN 2014 Homing, Snite Museum of Art, Notre Dame, IN Passages, Krasl Art Center, St. Joseph, MI Two/T hree-Person Exhibitions 2023 Narrated Memories TAG Gallery, Austin Community College, Austin, TX Invited distinguished alumni artist in celebration of 50th Anniversary link 2017 Constructed Atopia/Structured Utopia, Flatbed Press, Austin, TX Select Group Exhibitions 2024 Channel, Water Stories Exhibition, with Scope Collective, BioBAT Art Space, Brooklyn, NY (curated by Elena Soterakis) link As the Phoenix, Mid America Print Council Exhibition, displayed in permanent collection at Department of Cancer Biology, KU Med Cancer Center, Kansas City, MO River Below, River Within, Open Air Media Festival, Public Space 1, Iowa City, IA Print & Craft Showcase: Known Points, Form & Concept Gallery, Santa Fe, NM link Mad World 24, SoMad Gallery, New York, NY, with Scope Collective link 2023 Insurgent Ecologies, Antenna and the New Orleans Center for the Gulf South at Tulane University, New Orleans, LA (curators Imani Jacqueline Brown and Shana M. Griffin) in collaboration with Ryan Griffis, Sarah Kanouse, Corinne Teed, Jon Lund, link 11th International Printmaking Douro Biennial, Douro Museum in Régua, Portugal (curated by Nuno Canelas) (catalog) link The Contemporary Print, Zane Bennett Gallery, Santa Fe, NM link The Contemporary Print, PrintAustin, TAGallery, Austin Community College, Austin, TX link Trazando Las Líneas / Tracing the Lines, Inkfest at St. Michael’s Printshop, Newfoundland and Labrador, Canada link The Inky Photographers, Flatbed Press, Austin, TX link 2022 31x12 Flatbed Center for Contemporary Printmaking, Austin, TX link 2021 5th Global Print 2021, Douro Museum, Régua, Portugal Landscape of Material and Mind, SciArt Initiative Exhibition, Scope Collective, New York Hall of Science, Queens, NY link Epiphanies, Scope Collective, Manifest Gallery, Cincinnati, OH link Overflow: The Mississippi in Every State Imaginable, CoProsperity Sphere, Chicago, IL (collaboration with Sarah Kanouse, Ryan Griffis, Corinne Teed and Over the Levee, Under the Plow: An Experiential Curriculum Project) link Many Waters, Minnesota Museum of American Art, St. Paul, MN (collaboration with Sarah Kanouse, Ryan Griffis, Corinne Teed) link 2020 Shape of a Practice, The Current: Mississippi. An Anthropocene River, HKW, Berlin, Germany (collaboration with Sarah Kanouse, Ryan Griffis, Corinne Teed) link Trazando Las Líneas / Tracing the Lines, Center for Embodied Pedagogy and Action, San Juan, Puerto Rico [postponed due to pandemic to 2025] Sympoeisis: Printmaking in the Expanded Field, Clara Hatton Gallery, Ft. Collins, CO 10th International Printmaking Biennial of Douro 2020, Douro Museum, Portugal Intersecting Methods Portfolios Exhibitions: Bringing Together the Arts & the Sciences, University of Stockton Art Gallery, Galloway Township, NJ Habitus: Contemplative Manifesto, Lufrano Intercultural Gallery, University of North Florida, Jacksonville, FL 2019 4th New York International Miniature Print Exhibition, Manhattan Graphics Center, NY, NY Experimental Engagements, SLSA (Society for Literature, Science and Art), University of California, Irvine, CA 4th Global Print 2019, Teixeira Lopes Museum/Diogo de Macedo Galleries, Gaia, Portugal Scope: Theater of Collaborative Survival, DEPTH Exhibition, Science Gallery, Detroit, MI In collaboration with Dr. Elizabeth Hénaff (Biologist; Assistant Professor, Integrated Digital Media, NYU) and Léonard Roussel (Sound Engineer, Arup Firm, NY) Habitus: Contemplative Manifesto, Juried Exhibition, University of Dallas, Dallas, TX Traveling Juried Members Show, Southern Graphics Council International, Dallas, TX 2018 Celebration: 5th Year Anniversary Invitational, Linea de Costa Gallery, Rota, Spain INTERSTICES / the space between, PINEA de Costa Gallery, Rota, Spain 2017 Mid America Print Council Juried Members’ Exhibition, Lawrence Arts Center, Lawrence,KS   Awagami International Miniature Print Exhibition, Tokushima, Japan Art of Valor, South Bend Museum of Art, South Bend, IN HereThere, Ink Shop Printmaking Center, Ithaca, NY Place, Crossroads Gallery, South Bend, IN Print Austin Exchange Portfolio, NJ Weaver Studio, Austin, TX 2016 Talleres de la Frontera, Notre Dame Center for Arts & Culture, South Bend, IN WPA Exhibition, The Noble Swede Gallery, LaGrange, TX Return, Print Austin, Austin Community College Kramer Gallery, Austin, TX Intersecting Methods, R&D Editions, Juried Portfolio Exchange, Greenbelt, MD 2015 Homecoming, Flatbed Press, Austin, TX Intertwined, Airside Gallery East, Austin Bergstrom International Airport, Austin, TX Special Blend - The Contemporary Austin Teen-Mentor Collab, Pump Project, Austin, TX People’s Show, People’s Gallery, City Hall, Austin, TX Due West, University Park, Austin, TX 2014 Rust City Portfolio, Mid-America Print Council, Detroit, MI Indefinite Spaces, Crossroads Gallery of Contemporary Art, South Bend, IN Bibliography/Media 2024 link (also new one about Water Stories) 2023 John Richards, Bocce Ball Films, “How Do You Ask Consent of a Microbe? Questioning Coexistence in the Anthropocene at the Gowanus Canal”, a short documentary film about Scope Collective, featuring the Precipitate exhibition, Open Source Gallery. link Adelaide Roueche-Beard, “Art + Political Engagement: TAG In-Gallery Programming Recap” TAG Gallery on-line article, November 8, 2023 link TAG Gallery, Interview, Narrated Memories Exhibit - Heather Parrish, link 2022 Jeanne Claire Van Ryzin, “Questioning Waller Creek: Heather Parrish at Flatbed Press”, Sightlines Magazine, June 24, 2022 Exhibition Review link 2022 “Top 5 in Texas, July 14-22, 2022: Seeing Out the Other Eye” Glasstire {Texas Visual Arts}, July 14, 2022 link 2022 Seeing Out the Other Eye. The Line-up: Eight Exhibitions to See In Austin, Texas, June 2022. Reviewed by Sightlines: Arts, Culture, News, Idease, online magazine. link 2020 Circular Linear SciArt Magazine: Culture of Contamination, Vol. 43, December 2020 link Publications as Author/Contributor 2024 [book chapter, peer-reviewed, at press] Working the Border: Interdisciplinary encounters across intellectual, material and political boundaries, co-authored with Leslie Gross-Wyrtzen, PhD., Challenging Borders: Contingencies and Consequences, edited by Sheila McManus, Paul McKenzie-Jones and Julie Young, published by Athabasca University Press, Lethbridge, Canada link [collection, peer-reviewed, at press] Experimental Practices in Interdisciplinary Art: Engaging the Margins, edited by Jesse Jackson and Antoinette LaFarge, published by BRILL Academic Press, Leiden, Netherlands 2023 Open Source Gallery 2023 Exhibitions Catalog, with essay Helen Betya Rubinstein 11th International Printmaking Douro Biennial Catalog, Douro Museum in Régua, Portugal (curated by Nuno Canelas) link 2019 ‘Between Floodlines: The Driftless Area in the Anthropocene’, field guide/artist book created in collaboration with Prof. Sam Munoz (Geography, Northeastern University) in a five volume set with other contributors Sarah Kanouse (Northeastern University), Corinne Teed (University of Minnesota, Minneapolis), Ryan Griffis (Univeristy of Illinois, Urbana-Champagne), Rozalinda Brocila (Chicago Art Institute), Nicholas Brown (Northeastern University). Part of the Mississippi.Anthropocene Project, sponsored by HKW, Berlin, Germany link ‘Video/Animation: Heather Parrish and Nathan Melz’, MAPC Journal, Volume 28/29: The Membership Edition, p. 61 Individual Project Collaborations 2018 Field Notes: 1, handmade editioned artist book with poet Nekeisha Alayna Alexis & illustrator Dorothy Jean 2017 ‘The River that Binds Us’, community mural project, with Nalani Stolz and Maclovio Cantú, commissioned by the Near Northwest Neighborhood Association, South Bend, IN ‘Faces of Our Beloved Community’, community photo booth project with Zane Norman, Martin Luther King Jr. Day Celebration, People’s History of Elkhart, Elkhart, IN 2016 ‘Dystopic Solutions: Bio-remediation’, editioned silkscreen on archival print, with Dr. Elizabeth Hénaff, R&D Editions Portfolio, College Park, MD ‘Parallel Transparencies’, editioned artist book, with Cherie Weaver, SIFT Book Arts Collective, New Orleans, LA ‘Bitter Harvest’, editioned screen print, with Jason Shenk of People’s History of Elkhart, IN 2015 ‘Hive Mind’, stop-motion animation installation in a bee hive, with Brenna Dwyer, The Contemporary Austin, Artist Mentor Program, Austin, TX Artist Lectures, Presentations, Workshops 2024 University of Iowa, Faculty Research Presentation, Iowa City, IA Cornell College, Visiting Artist Lecture, Intermedia Class, Mt. Vernon, IA Grinnell College, Visiting Artist Lecture, Art Department, Grinnell, IA Grinnell College, Workshop: Experimenting with Natural Ink, Grinnell, IA 2023 TAG Gallery, Panel discussion: Artists in Conversation, in conjunction with Narrated Memories exhibition, Austin Community College, Austin, TX Civic Art Lab, Symposium presentation with Scope Collective, New York, NY Frogman’s Print Workshop, Workshop Instructor: Polymer Photogravure, Iowa City, IA Frogman’s Print Workshop, Artist/Faculty Lecture, Iowa City, IA 2022 Flatbed Center for Contemporary Printmaking, Artist Talk, Seeing Out the Other Eye Exhibition, in conversation with historian Katherine Pace, Austin, TX University of Texas at Austin, Visiting Artist Talk, Advance Printmaking Class, Austin, TX 2021 Iowa State University, Visiting Artist Talk, Printmaking Area, Ames, IA 2020 Embracing the Wilds Conference, Western Printmakers Association, Panel Presentation/chair, [Not] A Trace: Bordering, Memory, and Belonging, University of Colorado, Boulder, CO (virtual) The Hour of Decision: Power, Persistence, Purpose and Possibility in African Studies, African Studies Association Annual Meeting, Presenters/Authors: Gross-Wyrtzen, Leslie, Parrish, Heather Policing the Virus: Borders, prisons and racialized containment in Morocco and the United States, virtual, Peer-Reviewed/Refereed Composed images presented in collaboration with Dr. Leslie Gross-Wyrtzen’s performative presentation 2019 The Line Crossed Us: New Directions in Critical Border Studies, Conference Presentation, Working the border: Interdisciplinary encounters across intellectual, material and political boundaries, collaboration with Dr. Leslie Gross Wyrtzen, Lethbridge University, Lethbridge, Canada Stanley Museum of Art, SmART Talk, University of Iowa, Iowa City, IA SLSA (Society for Literature, Science and Art) Conference, Artist Round Table Discussion, University of California Irvine Experimental Engagements,, Irvine, CA 2015 The Contemporary Austin, Teen Mentor Program- seven-months of weekly mentorship culminating in a collaborative art exhibition, Austin, TX 2014 Krasl Art Center, Artist Lecture, St. Joseph, MI Fellowships & Grants 2024 Brooklyn Arts Fund Grant $5,000, supported by the Greater New York Arts, Development Fund of the New York City Department of Cultural Affairs (DCLA), for Scope Collective’s exhibition at BioBAT Art Space in Brooklyn, NY New York State Council on the Arts (NYSCA) Local Arts Support Grant, $5,000 for Scope Collective’s exhibition at BioBAT Art Space in Brooklyn, NY Performance/ Exhibition Subvention Grant, $2,500 for Scope Collective’s exhibition BioBat Art Space in Brooklyn, NY 2023 Exhibition Subvention Grant, College of Liberal Arts and Sciences, $2,500 University of Iowa for Narrated Memories exhibition, TAG Gallery, Austin, TX 2022 Art & the Humanities Initiative Grant, $7,500 University of Iowa, for Border Work Fugitive::Grounds Exhibition at Ezra Styles Gallery, Yale University, CT 2021 Old Gold Fellowship, $3,000 University of Iowa 2020 Obermann Center for Interdisciplinary Studies, Faculty Fellowship, University of Iowa 2019 IP Stanley International Travel Award, University of Iowa, Iowa City, IA Artist Residencies 2024 BioBAT Art Space, Brooklyn, New York - one-year residency with Scope Collective Urban Soils Institute Artist Residency, Governor’s Island, NY, with Scope Collective 2022 Devto Printmaking Institute, Ubud, Bali, Indonesia 2021 Collaborative Print Studio/Artist Residency, Flatbed Press for Contemporary Print, Austin, TX 2018 PINEA-LINEA DE COSTA Artist Residency, Rota, Spain 2016 Segura Studios, Themed Group Residency: Borders, South Bend, IN 2013 Flatbed Press Artist Residency, Austin, TX Professional Work Experience 2018-present Assistant Professor Printmaking, University of Iowa, Iowa City, IA Courses: Printmaking & the Politics of Protest, New Media in Printmaking, Intaglio, Woodcut & Relief, Screenprint, Advanced Printmaking, Graduate Print Workshop Service: Area Head of Printmaking, Curriculum Committee, DEI Committee, Faculty Senate Representative, BFA/MA/MFA Thesis Committees, Search Committees for Visiting Assistant Professor, Instructional Track Faculty, and Grant Wood Fellows 2016-2018 Visiting Lecturer/Research Associate, Printmaking, University of Notre Dame, Notre Dame, IN. Courses: Screenprint, Woodcut & Relief, Studio/Safety Specialist 2011-2014 Instructor of Record, Printmaking, University of Notre Dame, Notre Dame, IN Courses: Screenprint, Woodcut & Relief, Poster Shop, Book Arts and Paper Making 2008-2011, Professional Lead Printer and Workshop Instructor, Flatbed Press, Austin, TX 2014-2015 (Intaglio, Book Making, Relief Printing, Monotype, Experimental Prints) Professional Contributions 2019-present Assistant Editor, Mid America Print Council Journal 2024-present Board of Directors, Public Space One (local non-profit, artist-run community org) 2023 Faculty Instructor, Frogman’s Print Workshop, Polymer Photogravure, Iowa City, IA 2023 MFA Program Visiting Artist Studio Critiques, Maharishi University, Fairfield, IA 2022 Mentor, Southern Graphics Council International Conference 2021 Critical Creative Working Group,Obermann Center for Advanced Studies, University of Iowa, Iowa City, IA Professional Organizations College Art Association Society of Science, Literature and the Arts Mid America Print Council Southern Graphics Council International