HomeMy WebLinkAbout6-5-25 PAAC Agenda PacketPublic Art Advisory Committee
Thursday, June 5, 2025
3:30 PM
Harvat Hall
City Hall, 410 E. Washington
AGENDA
1. Call to Order
2. Public discussion of any items not on the agenda
3. Consider minutes of the May 1, 2025 PAAC Meeting
4. Review Public Art Condition Survey & Report
5. Consider FY26 – FY30 Public Art Strategic Plan
6. Staff updates
7. Old or New Business
8. Adjournment
If you will need disability-related accommodations in order to participate in this program/event, please
contact Rachel Kilburg Varley, Public Art Coordinator at 319-356-5248 or rkilburg@iowa-city.org. Early
requests are strongly encouraged to allow sufficient time to meet your access needs.
Draft, p.1
Public Art Advisory Committee Mtg, 5/1/2025
Minutes
Public Art Advisory Committee
May 1, 2025
Helling Conference Room
Public Art Advisory Committee
Members Present: Leslie Finer, Tyler Baird, Andrea Truitt, Jen Jordan, Sophie Donta,
Nate Sullivan, Rachel Kinker, Ron Knoche
Members Absent: Anita Jung
Staff present: Rachel Kilburg Varley
Public Present: Courtney Davidzhar, Alex Barloon
Call to Order
Truitt called the meeting to order at 3:32 p.m.
Public Discussion of Any Item Not on the Agenda
None.
Consider minutes of the April 3, 2025 PAAC meeting.
Finer moved and Knoche seconded that the minutes from the March 6, 2025, meeting
be approved. Motion passed (7-0).
Public Art Strategic Plan Work Session
Kilburg Varley reviewed the draft strategic plan included in the agenda packet. The draft
language aims to merge the key themes and priorities that arose from various input
points throughout the year including the Arts Stakeholder Annual Meeting, the public
input survey, and the Committee’s own geographical analysis, budget review, and prior
meeting conversations around high-level goals and values. Kilburg Varley emphasized
that the document is intended to be a draft for the Committee to react to and further
refine during this meeting.
Truitt invited discussion and comment from all the members. As members discussed,
Donta recorded notes on large printouts of the draft language, record of which is
attached to these minutes. Following discussion, the Committee directed Kilburg Varley
to amend the draft plan document with the suggested changes for consideration at the
June meeting.
Note that Sullivan departed the meeting at 4:27 p.m.
Draft, p.2
Public Art Advisory Committee Mtg, 5/1/2025
Staff Updates
Kilburg Varley shared that grant agreements for the Public Art Matching Grants have
been sent out, the final report for the Public Art Condition Assessment will be received
soon and shared an upcoming meeting, and that planning is underway for a ribbon-
cutting to celebrate the bus stop bench sculpture, Uplift, at Fairmeadows Park on June
18, 2025 in conjunction with the Party in the Park event.
Old or New Business
None.
Adjournment
Knoche moved to adjourn at 4:34 pm. Finer seconded. Motion passed (6-0).
Draft, p.3
Public Art Advisory Committee Mtg, 5/1/2025
Public Art Advisory Committee
Attendance Record
2024-2025
Name Term
Expires 1/4/24 4/4/24 6/6/24 8/1/24 9/5/24 10/3/24 11/7/24 12/5/24 2/6/25 3/6/25 4/3/25 5/1/25
Johnson
Boyken
Truitt
Gringer
Endsley
Sullivan
Kinker
Donta
Key:
X = Present
X* = Delegate attended
O = Absent
O/E = Absent/Excused
--- = Not a member
MEMORANDUM
DATE: May 30, 2025
TO: Iowa City Public Art Advisory Committee
FROM: Rachel Kilburg Varley, Public Art Coordinator
RE: Agenda Item #1 – Review Public Art Condition Survey & Report
At the August 1, 2024 meeting, the PAAC approved an agreement with the Midwest Arts
Conservation Center (MACC) to complete a condition assessment of the City’s public art
inventory, to aid the PAAC and Public Art Coordinator with planning and addressing deferred
maintenance, repairs, and restoration of works within the City’s inventory.
MACC completed the survey in April 2025 and completed the attached report. Following this
memo, please find:
1. Survey Cover Report
2. Survey forms for 27 sculptures
3. Survey forms for 5 murals
A MACC staff member will be available during the June 5, 2025 PAAC meeting to answer any
questions the PAAC may have.
Please note that the condition assessment did not include the downtown Literary Walk, as staff
is working individual with that project’s artist to determine necessary restoration and
maintenance steps for that project. Additionally, a limited number of murals was included as a
majority of the downtown murals are managed by the Iowa City Downtown District.
Next Steps:
1. Staff is consolidating the survey forms to a master list based on conservation rank and
priority. Based on this list and budget capacity, staff will make a recommendation to the
PAAC at a future meeting for a maintenance/restoration project(s) to address in FY26.
2. As part of the agreement with MACC, the City is entitled to three in-depth treatment
proposals for three high priority works of art, a group of several small treatments, and/or
training for City staff to complete maintenance and minor restoration. Staff recommends
at least one proposal is utilized for internal staff training; however invites additional input
from the Committee members regarding how to prioritize the proposals.
Midwest Art Conservation Center
2400 Third Avenue South Minneapolis, MN 55404
MACC Object Conservator Megan Randall traveled to Iowa City on October 7th - 10th, 2024
for an onsite conservation survey of 27 public artworks. During the survey, each work of art
was examined and a survey form completed, which included a summary of condition issues
and treatment needs. Works of art were assigned a conservation priority number, which will
help prioritize future collection needs. Conservator maintenance and treatment steps are
outlined in Treatment Recommendations. An estimate for treatment time is included as well.
For reference, at fiscal year 2025 rates, treatment costs are as follows: under 10 hours is
under $1,780.00, between 10-25 hours is between $1,780.00 and $4,450.00, and over 25
hours is over $4,450.00. Note that these costs do not include travel and lodging.
Images taken of the objects and the completed survey form will be shared with client. In-depth
treatment proposals for three works of art identified by the Public Art Advisory
Committee as highest priority will be submitted to the client. For these objects a formal
condition report will be provided with a treatment proposal and cost for treatment. If it is most
appropriate to write a proposal to group several small treatments and/or training, the
conservators will discuss this alternative option with the client.
CONSERVATION PRIORITY ASSIGNMENTS
Each object was assigned a conservation priority of 1 - 4. These are defined here with the
number of objects surveyed in each category given in parentheses. This is the distribution of
priorities within Iowa City’s collection. Note that this is a snapshot in time and that priorities are
constantly changing based on condition.
Additionally, each artwork was giving a rank by the conservator of 1 -27, with number one
being the highest priority for treatment. Within a conservation priority category however, one
sculpture may have a higher ranking than a sculpture with more significant condition concerns
when the treatment is seen to be particularly timely or beneficial. The rankings are based
entirely on condition and give no weight to the significance or value of the sculpture. It is
hoped that the Conservation History section of each survey record can be used as a jumping
Iowa CityOwner:
410 E Washington St
Iowa City, IA 52240
Address:
Rachel Kilburg Varley, Economic Development CoordinatorContact:
319-356-5248Phone:
25.17860.1Project No.:
Artist:
Public Art SurveyTitle:
Dimensions:
Marks:
Medium:
Project Report
1
off point for Iowa City to develop a clear tracking system for short maintenance treatments.
This data can be helpful to build support for larger intervention, should it be necessary. Annual
maintenance that can be performed by Iowa City’s staff is indicated where appropriate.
Summary of Observations
The 27 artworks surveyed here are made from a variety of material types. Since material often
dictates the condition issues and treatment needs, these are summarized briefly here.
Priorities 1 and 2 are detailed. Seven of the artworks are painted metal and with the exception
of Simple Flight which was restored in 2022, they all have degraded paint layers that require
treatment to restore visual legibility. Nine of the outdoor artworks are unpainted metal including
bronze and aluminum and they are are in good condition overall and only require maintenance
or small treatments. Three artworks are located indoors and are all in good condition with only
minor treatment or maintenance needs. The remaining artworks vary in conditions noted and
treatment needs and are outlined in the survey form. The conservator notes that the sites for
the artworks were all clean and free of debris and garbage. Very little negative public
intervention or graffiti was seen on the artwork surfaces.
Priority 1: Urgent Treatment (1)
These objects require immediate treatment or intervention in order to stabilize or arrest
ongoing deterioration. The artworks may be structurally unsound, at risk for further significant
damage, or represent a potential hazard to visitors/staff.
- Kenneth Snelson “Four Module Piece” is a priority 1 and ranked 1 due to a large spalling
section of cement around a light fixture of a column.
Priority 2: Treatment Required (3)
These objects require treatment to insure their stability. This treatment may be either major or
minor.
- Jill Harper “Neighborhood of Season” is a priority 2 and ranked 2 due to loss and instability of
tiles.
- Will Thompson “Historic Markers” is a priority 2 and ranked 3 due to significant corrosion,
paint, and laminate loss.
- Will Thompson “Wings Return” is a priority 2 and ranked 4 due to lifting paint and corrosion
along the base. This artwork is a higher priority than others due to the location of the artwork
and the location of the conditions on the artwork.
Priority 3: Cosmetic Treatment (16)
The appearance of these objects could be improved through cosmetic or aesthetic treatment.
Poor appearance may make an object inappropriate for exhibition, or make interpretation
difficult. Treatment may be either major or minor.
Priority 4: No Treatment (7)
These objects are in stable condition and no major treatment is required. Annual maintenance
is still recommended for some objects in this category.
Mural Survey
2
The following report summarizes the results of an onsite survey of murals in the collection of
the city of Iowa City. The survey took place over the course of 1 day, April 22, 2025. The
painting survey was completed by Painting Conservator Alexa Beller.
A total of 5 murals were examined during the survey. A survey form was completed for each
mural which provides basic descriptive information, a conservation priority number, a summary
of the object’s condition, recommendations for preservation, and treatment needs if any. These
survey forms are summarized here and an electronic copy of the surveys will be forwarded to
the client separately. The goal of the survey is to assist Iowa City in prioritization of their
conservation needs. Conservators at the Midwest Art Conservation Center are available to
answer questions and provide additional resources. Please feel free to contact us if you have
questions about this report or the suggestions we have made.
SUMMARY
5 murals were examined and documented with short survey forms.
Each object was assigned a conservation priority number between 1 and 4, defined as
follows:
1. Urgent Treatment: The object requires immediate treatment or intervention in order to
stabilize or arrest ongoing deterioration. The artwork may be structurally unsound, at risk for
further significant damage, or represent a potential hazard to the public.
2. Requires Treatment: The object requires treatment to insure its stability. This treatment
may be either major or minor.
3. Cosmetic/Aesthetic Treatment: The appearance of the object could be improved through
cosmetic or aesthetic treatment and/or minor structural remediation. Poor appearance may
make an object inappropriate for exhibition, or make interpretation difficult.
4. No Treatment: The object is in stable condition and no treatment is required at this time.
Of the works examined 1 is conservation priority one; 4 are conservation priority two; 0
are conservation priority three; 0 are conservation priority four.
FURTHER RECOMMENDATIONS
The mural in poorest condition (Priority 1) is “Medicine for the Soul,” but intervention is not
advised until the overall structural issues with the building are addressed. It appears that
moisture infiltration is a root cause for much of the instability seen across the paint surface.
After resolution of the building’s condition, the large amount of lifting, staining, and loss will
require extensive repainting.
Wildlife interaction is a source of potential damage for three of the murals (”Oracles,”
“Underwater Scene,” and “Whole”). It is advised to install bird deterrents, fill cracks that provide
harbor to wildlife, and protect painted surfaces from pesticide spray or other chemicals.
3
Dirt and grime accumulation was present on all surfaces. It is advised that debris is regularly
removed from contact with the artwork and any cleaning is restricted to water instead of any
stronger solvents. Dirt, organic debris, and other detritus accumulated on or against the mural
surface can hold moisture and accelerate the degradation of the paint film.
The “Tim Dwight Mural, “Whole,” and “Oracles” were not easily accessible for comprehensive
examinations. We advise that in the future access is arranged periodically to check in on the
condition of the surfaces.
Conservator:Megan R Randall
Client:Iowa City
Project No.:25.17860.1
5/2/2025Date Completed:
4
Title:Four Module Piece: Form 2, 1968
Materials:Aluminum and Stainless Steel
Dimensions:
Location:Riverfront Crossings Park
1001 S Clinton St, Iowa City, IA 52240
Description:This large-scale aluminum and stainless-steel sculpture was acquired in 1975 with money from
fundraising and a grant from the National Endowment of Arts along with the Triaxial Hemicylindrical by
Richard Field. Four Module Piece utilizes solid metal tubes that are suspended with wires, creating an
airy, geometrical effect. The tubes can be arranged in different configurations. The sculpture rested by
Van Allen Hall for 22 years, until it was moved to Terrell Mill Park, on the Iowa River at North Dubuque
for 22 more years. However, Joyce and Dick Summerwill who first worked to acquire the sculpture felt
it was getting lost in the landscape. In 2019, Four Modules was reconfigured moved to Riverfront
Crossings, where is stands today.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:1
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Kenneth SnelsonArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
01Rank:
June 2019 restored by Dave Dennis/University of Iowa
"Relocation of sculpture, conditioning and refinishing,
fabrication of new armatures, excavation and
installation of new concrete columns, base,and lighting."
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 1:41
PM
Date:
Site was clean and free of debris. Would recommend washing or rinsing the elements annually or as needed.
Artwork is installed on the top of a small grassy hill. No overhanging vegetation nearby.
Site Notes and Maintenance Recommendations:
Old repairs visible along top of pillars. Artwork was viewed during the day, light function was not inspected.
Insect casings visible scattered throughout. Iron staining visible in areas along pillars. Some iron staining is
disfiguring and measures up to 12" in length.
One pillar along eastern edge has a break in the concrete along the light fixture. This area sits proud of
surrounding concrete by approximately 1/4". The break loosely follows the circumference of the light fixture
and has fissures throughout. This area was inspected from the ground, it is unclear how stable/unstable the
area is and if the electrical components are affected.
Condition:
Treatment is recommended to repair the broken fixture and cement column, reduce the iron staining in the
pillars, and wash the elements as needed.
Note: The broken cement and fixture should be referred to Dave Dennis or other suitable vendor for concrete
and electrical repair (if needed). This artwork's priority and urgency are listed as high but may be lower after
further evaluation.
Treatment Recommendations:
Title:Neighborhood of Seasons, 2 pillars, 2014
Materials:concrete and tile
Dimensions:
Location:Sycamore Trail entrance Lakeside Dr
2021 Lakeside Dr, Iowa City, IA 52240
Description:This Neighborhood Art Project was envisioned by neighborhood residents who wanted to create an
inviting entrance to the South Sycamore Trail on Lakeside Drive. They also wanted to highlight the
diversity of the neighborhood through the art. They chose to work with Jill Harper, City High Art
teacher, and several of her students to create the two mosaic pillars.
The designs reflect the diversity of the southside neighborhood and highlight the wide variety of
activities that may be enjoyed on the trail during each of Iowa's four seasons.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:2
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Jill Harper and students at Grand Wood and CHSArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
02Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/10/2024
2:10:37 PM
Date:
The artwork is two pillars with metal caps on concrete bases. They are placed on either side of a public sidewalk leading
to Sycamore Trail. At the time of examination, the site was clean and free of debris. Note that the pillars are square and
the concrete bases are circular. The corners of the pillars overhang the bases slightly (2-3 inches).
Annual maintenance is recommended to wash the artwork in 1% Orvus and water.
Site Notes and Maintenance Recommendations:
The artwork is in fair to poor condition at this time. The design of the artwork is still legible and vibrant from a
few feet away, however a close examination of the surfaces reveals areas of loss on all 8 faces of the pillars.
The losses are concentrated along the bottom edges and around seams and hardware locations. Areas of
loss range from a few tiles to several inch spans.
Corrosion is visible along hardware sites in some locations.
Condition:
Treatment is recommended to stabilize areas of loose or missing ground and tiles and to fill areas of loss.
Filling areas of loss will require information from the client and artist on the original design and sourcing
replacement tiles. The bottom corners of the pillars should be sealed and stabilized to prevent losses from
propagating from the bottom of the artwork, which is likely due to moisture wicking and freeze/thaw cycles.
Treatment could include training on monitoring and replacing tiles for local staff so the artwork could be
maintained consistently. Depending on the extent or type of treatment approved, this is a moderate or major
treatment.
Treatment Recommendations:
Title:Historic Markers (7)
Materials:Steel
Dimensions:
Location:Longfellow Neighborhood
Neighborhood bound by S Dodge St, E Burlington,
Description:Will Thomson was born in Raleigh, North Carolina in 1951. He earned his BA in Biology from NC
Wesleyan College. He moved to Iowa City in 1982 to be an instructor of exhibit design at the University
of Iowa Museum of Natural History. He worked in this capacity until 1994, when he established
Armadillo Arts, an exhibit design and graphic arts company. His credits include exhibits in over 30
different states in Iowa. Local works include Kent Park exhibits, Devonian Fossil Gorge, and Johnson
County Courthouse exhibits.
Will also illustrated the children’s book titled Sweet Corn and Sushi by Lori Erickson, which was
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:2
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Will ThompsonArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
03Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 3:35:03
PM
Date:
All seven Historic Markers were viewed by the conservator in the Longfellow Neighborhood. They are all installed on the
grass boulevard between the street and the sidewalk. All sites were clean and free of debris.
The Street Car Company and Rundell Park signs both had adjacent or overgrown vegetation. The Oakes Brickworks is
installed on stone pavers and the Moffitt Cottages is installed on a concrete pad.
Site Notes and Maintenance Recommendations:
The Markers vary in condition but most are extremely poor with significant corrosion, paint loss, and partial or
complete loss of the informational laminate. The Oakes Brickworks Marker is in the best condition and
appears to have had recent restoration/conservation work performed.
Condition:
The conservator recommends that the Markers are removed and repainted at a local paint shop and the
informational laminates are removed and reapplied where necessary. All missing hardware should be
replaced and stainless steel should be used as hardware where possible.
Repainting would require clear parameters by the client for application method, type, gloss, and color of paint.
The conservators are able to advise on repainting materials and methods if the work is carried out by a local
paint shop. The treatment level is listed as minor or major below and will depend on the client's preference for
conservator involvement.
Treatment Recommendations:
Title:Wings Return, 2004
Materials:Steel
Dimensions:
Location:Longfellow trail - off Lower Muscatine Rd,
1401 Sheridan Ave, Iowa City, IA 52240
Description:Created as part of the Longfellow Neighborhood Art project, Wing’s Return was designed to provide a
centerpiece for the Longfellow Trail area acquired and designed by Longfellow neighborhood
residents.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:2
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Will ThompsonArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
04Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:11:19
PM
Date:
The object is sited in a grassy section of a public trail park. Trees and other plants are grown and overgrown near the
sculpture. Annual maintenance is recommended, including washing with 1% w/v Orvus in water and trimming plants in
immediate contact with the artwork.
Site Notes and Maintenance Recommendations:
The sculpture is in fair condition at this time and structurally sound. There are plants overgrown near the base
of the object making observation of every surface difficult. There appears to be a several inch section (6-7") of
peeling paint near the bottom of the artwork. There are bolts visible but hex nuts are either missing or were
never applied. Lichen is visible on the surface of the object, primarily near the base.
The object was viewed from the ground. The two birds appeared to be in good condition. Their drain holes
were clear at the time of observation.
Condition:
Clean the sculpture overall to remove soiling and biological growth. Clear vegetation in immediate contact with
base and artwork. Surface prepare and repaint sections of the base as needed. Any repainting will require
clear parameters by the client for type, gloss, and color of paint. The conservators are able to advise on
repainting materials and methods. Wash, wax, and buff the artwork plaque.
Treatment Recommendations:
Title:Walk in Beauty Arch, 2004
Materials:Bronze and concrete sculpted entryway
Dimensions:
Location:Benton Hill Park
615 W Benton St, Iowa City, IA 52246
Description:The archway greeting visitors to Benton Hill Park announces the name on the front face as one walks
into the park and bids farewell to visitors on the other side by encouraging “Walk in Beauty.”
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Joe PrescherArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
05Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/8/2024
10:15:19 AM
Date:
This artwork is an archway to Benton Hill Park. The concrete pillars and painted bronze and stainless (est.) steel banner
span either side of the sidewalk leading into the park. The site was clean and free of debris at the time of the
examination. The concrete pillars are mounted on concrete pads surrounded by grass and other vegetation. The
vegetation on the eastern side of the artwork is slightly overgrown.
Annual maintenance is recommended, including washing with 1% w/v Orvus in water and trimming plants in immediate
contact with the artwork.
Site Notes and Maintenance Recommendations:
The artwork is in fair to poor condition at this time and appears structurally stable. There is significant wear
and loss of the orange concrete colorant on both concrete pillars, particularly near the bottom. There is soiling
and wear overall. On the metal banner there are areas of peeling paint, soiling, lichen, and corrosion. The
inset banners (stainless steel, est?) display drastically different conditions. The "Walk In Beauty" banner on
the southern side is in good condition with corrosion points at the hardware sites. The "Benton Hill Park"
banner on the northern side is much darker in color and heavily streaked with soiling.
Condition:
While the work appears structurally stable the conditions are impacting the visual understanding of the
artwork. Treatment is recommended to clean the object, and repaint (metal) and restain (concrete) elements
as needed. Hardware should be replaced with stainless steel equivalents where possible. This would be
considered a major treatment and would require clear parameters by the client for application method, type,
gloss, and color of paint and concrete stain. The conservators are able to advise on repainting materials and
methods if the work is carried out by a local paint shop. The conservator recommends the metal elements are
deinstalled for repainting and cleaning, which would allow for removal and replacement of hardware.
Treatment Recommendations:
Title:Triaxial Hemicylindrical, 1974
Materials:Cor-ten Steel
Dimensions:
Location:City Park
200 Park Rd, Iowa City, IA 52246
Description:Triaxial Hemicylindrical was acquired at the same time as Four Module Piece in 1975. The sculpture is
made of Cor-ten steel and was originally installed at Chauncey Swan Park. It was later painted bright
colors and moved to City Park, where it remains today. The artist, Richard Field, was got his B.A. in Art
from St. Olaf in 1969 and his M.F.A. in Sculpture from the University of Iowa in 1972 and taught at St.
Olaf College.The acquisition of Triaxial Hemicylindrical and Four Module Piece was funded by a
matching grant of $44,000 from the National Endowment for the Arts, and fundraising, The City of Iowa
City, and Project Green to a total of $88,000.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Richard FieldArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
06Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/8/2024 2:59
PM
Date:
Object is sited on a grassy section of the park with each ‘leg’ bolted to a concrete pad. The concrete pads are
approximately 1' in diameter. Object is readily accessible to visitors. No overhanging vegetation was visible.
No conditions related to interactions or graffiti were noted during the exam. Annual maintenance is recommended,
including washing with 1% w/v Orvus in water.
Site Notes and Maintenance Recommendations:
The object is in fair condition. The corten has a stable oxide layer overall. The paint is peeling from the edges
of the corten. Along the bottom of the yellow ‘legs’ the paint is peeled off over several inches revealing a blue
layer underneath. Soiling, lichen, guano, and water marks are visible overall. One bolt is missing from the
center section on the cement pad. There are no related structural concerns.
Condition:
Clean the sculpture overall to remove soiling and biological growth. Surface prepare and repaint yellow and
blue sections as needed. Any repainting will require clear parameters by the client for type, gloss, and color of
paint. The conservators are able to advise on repainting materials and methods.
Treatment Recommendations:
Title:Steel Garde (gate), Nature's Way (tile work), 2005
Materials:Powder-coated steel fence and ceramic tile
Dimensions:
Location:Court Street Transportation Center
150E W Court St, Iowa City, IA 52240
Description:The design of the die cut metal fence was inspired by plants and flowers found in gardens. The name
of the installation was originally supposed to be “Steel Garden” but when the information was
communicated in designing the plaque, the “n” in Garden was left off. Because the fence provides
protection for children in the day care, the term “Steel Garde” still felt appropriate which a slightly
French feel!
The artist, David Dahlquist, worked with students at Longfellow Elementary to create nature inspired
art on mosaic tiles which were then incorporated into the represent the floors of the transportation
center. Themes included flowers, snakes, spiders, and birds.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
David DahlquistArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
07Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024
10:44:23 AM
Date:
The steel gate site was clean and free of debris. The outside of the gate faces a public sidewalk and is immediately
accessible to the public. The inside of the gate faces a private daycare playground. This section was not viewed. The
tilework is located at an adjacent parking garage at every elevator bay, six floors in total.
In coordination with the daycare, the steel gate should be washed with 1% Orvus and water and examined annually. The
tilework should be cleaned annually with damp microfiber cloths and water, taking care to not introduce water into any
electrical functions (i.e. elevator buttons and parking ticket machines).
Site Notes and Maintenance Recommendations:
The steel gate is in fair condition at this time and appears structurally sound. The powder coating is failing or
gone in areas and exposed steel is actively corroding, particularly near the bottom of the artwork. The
surfaces have scuffs, stains, accretions, and discolorations throughout.
The tilework is in good condition. Slight soiling, scuffs, and accretions are present overall.
Condition:
Steel - The corrosion and coating loss is present on almost all panels. Intact areas of coating have a
discolored and blanched appearance that indicates the coating is degraded overall. The conservator
recommends deinstalling the panels and repainting or repowdercoating the artwork as possible. This would be
considered a major treatment and would require clear parameters by the client for application method, type,
gloss, and color of coating. The conservators are able to advise on repainting materials and methods if the
work is carried out by a local paint shop.
Tiles - Clean tiles as described above. This would be a minor treatment.
Treatment Recommendations:
Title:Weatherdance, 1999
Materials:Granite and bronze inlays, lighted laminar jets
Dimensions:
Location:City Plaza - Graduate Hotel
210 S Dubuque St, Iowa City, IA 52240
Description:Installed in 1999 and renovated in 2019, Weatherdance tells a story about place, climate, and
direction. The entire plaza was designed as an archetypal midwestern weather map. White clouds
gather in the west, and wind blows across the prairie in a warm advancing front, bringing rain. Water
streams from cloud to ground, nourishing a patchwork quilt of green fields in black earth. In the north, a
cold front hovers at the edge of the plaza, reminding us of the cycle of seasons, and offering the
reassurance of a completed pattern. The plaza functions as a compass, with North, South and East
embedded within, the granite field of the pavement.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Andrea Myklebust & Stanton SearsArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
08Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:10
PM
Date:
The site is in the middle of a public walkway. During the exam the site was clean and free of debris. Fountain aspect was
not turned on during the examination. Traffic cones were scattered throughout the artwork. It was unclear if the cones
were related to any conditions noted.
Annual maintenance is recommended, including washing with 1% w/v Orvus in water.
Site Notes and Maintenance Recommendations:
It was difficult to ascertain exact condition during the exam. Some raised motifs appeared to be replacements.
There was one section of a raised stone curve that was missing. The bronze elements all appeared in good
condition. Slight soiling overall as expected on an work The grout between the tiles is missing in sections and
appears new in others. A bolt is missing on one of the bronze/green fountain covers. Hardware is missing
throughout.
Condition:
Source replacement for missing section. Wash surfaces and apply grout in missing areas.
Treatment Recommendations:
Title:Ties that Bind, 2001
Materials:Bronze
Dimensions:
Location:City Plaza - near playground
210 S Dubuque St, Iowa City, IA 52240
Description:One of four sculptures installed on the newly renovated pedestrian mall in 2000/2001, Ties that Bind
was chosen through a public selection process to compliment the new children’s playground where it
sits close by.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Jane DeDeckerArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
09Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:05:41
PM
Date:
The site was clean and free of debris. The object is situated on a concrete pad in an areas of landscaping including
plants and woodchips. There is a public walkway and a restaurant patio on either side of the object. Annual maintenance
is recommended, including washing with 1% w/v Orvus in water and a paste wax application.
Site Notes and Maintenance Recommendations:
This object is in excellent condition. Some soiling is visible overall and some green corrosion visible
throughout.
Condition:
Treatment is recommended to wash, wax, and buff the sculpture's surfaces. If a paste wax application does
not improve areas of corrosion, a hot-wax treatment may be considered in future years.
Treatment Recommendations:
Title:Jazz, 2001
Materials:Bronze
Dimensions:
Location:City Plaza - at College and Clinton near Yotopia
210 S Dubuque St, Iowa City, IA 52240
Description:One of four sculptures installed on the newly renovated pedestrian mall in 2000/2001, Jazz was
chosen through a public selection process as a tribute to the annual regionally renowned Iowa City
Jazz Festival hosted in Iowa City.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Gary AlsumArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
10Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 1:51:04
PM
Date:
The site was clean and free of debris. The object is installed on a concrete pad on a public brick walkway. There is no
overhanging vegetation. The object is immediately accessible to the public.
Annual maintenance is recommended, including washing with 1% w/v Orvus in water and a paste wax application.
Site Notes and Maintenance Recommendations:
This object is in excellent condition. Some soiling is visible overall and some corrosion, especially
concentrated along the bottom sections of the object, due to either wearing or human/pet interactions.
Condition:
Treatment is recommended to wash, wax, and buff the sculpture's surfaces. If a paste wax application does
not improve areas of corrosion, a hot-wax treatment may be considered in future years.
Treatment Recommendations:
Title:Irving Weber, 2003
Materials:Bronze
Dimensions:
Location:308 Iowa Ave, Iowa City, IA 52242
At Iowa and S. Linn intersection
Description:A joint project funded by the Iowa City Lions Club and the City’s Public Art Program, the sculpture was
designed and created by owners of Max-Cast Inc. Steve Maxon and Doris Park as a tribute to long
time Iowa City historian, businessman and Lion Club member Irving Weber. Weber produced over 850
articles for the Press Citizen newspaper detailing the history of Iowa City.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Steve Maxon & Doris ParksArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
11Rank:
August 2007 Restored by Max Cast, Inc.
"Cast repair; welding, finishing/patina"
2022, Restored by Max Cast, Inc.
"Graffiti removal, re-waxed"
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 4:44
PM
Date:
The object is sited on a concrete pad on a brick walkway. The site was clean and free of debris. There are two low
concrete planters nearby but no overhead vegetation. Two benches face the sculpture. The object is immediately
accessible to the public.
Annual maintenance is recommended, including washing with 1% w/v Orvus in water and a paste wax application.
Site Notes and Maintenance Recommendations:
The bronze is in good condition overall. There is some slight blanching of the wax coating and some light
green corrosion around the bronze bronze base. Overall slight soiling and one small (2x1") section of red
graffiti.
Condition:
Treatment is recommended to wash, wax, and buff the object's surfaces. Removal of the graffiti is
recommended. MACC can advise the client on removal methods.
Treatment Recommendations:
Title:North Marketplace Literary Walk (24)
Materials:8 ribbons, 5 pedestals/podiums, 5 plaques, 2
tree, 4 sign toppers
Dimensions:
Location:Linn Street between Market & Bloomington
Off 200 Block N. Linn Street
Description:The Literary Walk, conceptualized by the Iowa City Public Art Advisory Committee in 1999, celebrates
works by 49 writers who have ties to Iowa. The Literary Walk is comprised of a series of bronze relief
panels that feature authors’ words as well as attribution. The panels are visually connected by a series
of general quotations about books and writing stamped into the concrete sidewalk. All artwork, by
Gregg LeFevre, is set in the pavement along both sides of Iowa Avenue from Clinton Street to Gilbert
Street. It was installed in conjunction with the Iowa Avenue Streetscape Improvement Project, which
took place from 2000 to 2001.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Artist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
12Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/10/2024
3:12:52 PM
Date:
The Literary Walk represents numerous artworks along N Linn Street and Iowa Ave. The conservator did not document
each artwork. The streets generally appeared to be clean and free of debris related to the site of each component. The
conservator recommends working with the client to provide information to nearby businesses on the best ways to care for
the artworks directly in contact with their service area.
Site Notes and Maintenance Recommendations:
A range of conditions noted but overall artworks were in good condition with some amount of soiling or
accretions present. All of the bronze components viewed had varying levels of corrosion.
Condition:
Treatment is recommended to wash and wax the bronze components and wash the related stone pedestals.
The conservator recommends the artworks on the literary walk are all documented with consolidated
information on materials and intended appearance from the artists. Treatment scope is minor to major
depending on needs of the client.
Treatment Recommendations:
Title:Exploring Iowa's Renewable Energy Sources,
Materials:Mixed Media
Dimensions:
Location:Robert A Lee Recreation Center, Level 2
220 S Gilbert St, Iowa City, IA 52240
Description:Exploring Iowa’s Renewable Energy Sources is a STEAM interactive wall in the Robert A. Lee
Recreation Center created for children to explore and learn about renewable energy. The mural
opened in the hallway of the rec center January 2018. The project was a collaboration between
University Iowa Faculty from many departments in art, technology and engineering.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Various UI Faculty: Kyle Rector, Stephen Beck,
Daniel Fine, Dana Keeton, Daniel Miller, Yifan Du,
Artist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
13Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/10/2024
2:18:51 PM
Date:
The artwork is located in a waiting area of the Robert A Lee Recreation Center on the 2nd floor. The artwork is inherently
interactive and is accessible to the public. During the examination the site was clean and free of debris. Slight graffiti and
scratchiti was found on the interior surfaces of the barn. The artwork should be monitored annual for function and
appearance.
Site Notes and Maintenance Recommendations:
The artwork appeared to be in overall good condition at the time of examination. Slight wear and soiling
overall. Specific elements are detailed below.
Solar panel lights work. Some flickering.
River water - some light change, no sound component audible although listed in the artwork plaque.
Hand crank for wind turbine works.
Screens working. Also rotating images.
Condition:
Clean graffiti and soiling, investigate and document intended functions for maintenance plan. This will involve
the client and/or artists providing information to create a plan for monitoring function and appearance. Ideally
staff at the center would be trained periodically in the intended appearance and function of the artwork.
Treatment Recommendations:
Title:Dancing Water
Materials:Glass panels (22)
Dimensions:
Location:Robert A Lee Recreation Center - wall over indoor
220 S Gilbert St, Iowa City, IA 52240
Description:This artwork was designed to complement the pool water that fills the room as well as emphasis
water’s importance and that it is a natural resource essential to life but can also become an unbridled
fury in nature, in hurricanes, floods, tornados and torrential rains.
Katz specializes in designing artwork that integrates with the architecture of buildings. Her cast glass
artwork is entirely handmade from original molds and is hand painted.
https://www.meltdownglass.com/
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
BJ Katz - Meltdown Glass Art & DesignArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
14Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 3:01:57
PM
Date:
This artwork is located in the pool area of the Robert A Lee Recreation Center. The artwork is suspended approximately
10 feet from the floor and is not immediately accessible to visitors. The pool was not in use during the examination and
the site was clear and free of debris.
Site Notes and Maintenance Recommendations:
The object is in good condition at this time. The artwork was viewed from the floor and from a distance, so all
conditions may not be noted. The primary condition of concern is related to the hardware for the artwork.
Areas of rust are visible along the washers and bolts. In some cases along the lower section of the glass
panes, hardware appears to be missing.
Condition:
Missing and corroded hardware should be replaced. This will require information from the client/artist on the
type and sizes of hardware used. If possible, hardware will be switched to a stainless steel equivalent.
Treatment Recommendations:
Title:Playful Investigation, 2017
Materials:Mixed Media
Dimensions:
Location:Scanlon Gym
2701 Bradford Dr, Iowa City, IA 52240
Description:15' by 9' interactive playground and recreation center design that provide an interactive experience for
children and adults to experience. The project was a collaborated with the Iowa City community and
NEX-US Engineering at the University of Iowa.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Jo Myers WalkerArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
15Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:38:51
PM
Date:
The artwork is located inside the entryway of the Scanlon Gym inset into one of the walls. During the examination, the
site was clean and free of debris. The artwork has interactive components and is readily accessible to the public. The
artwork should be cleaned of smudges and notable soiling with a damp microfiber cloth on an annual basis. The function
of the interactive components should be reviewed annually.
Site Notes and Maintenance Recommendations:
The artwork is in good to fair condition overall. There is slight soiling, scuffs, and smudges overall. These are
particularly evident on the outer and lower edges of the white frame components. Some hardware locations
also show cracking of the acrylic sheet.
The function of many of the interactive components appeared to be 'stuck' or limited in range.
Condition:
Treatment is recommended to clean the surfaces overall, inspect all the hardware locations and change if
necessary to reduce stress on the surrounding acrylic. If possible, the client and/or artist should be consulted
to determine the full intended function of the interactive components.
Treatment Recommendations:
Title:Dorothy, 2001
Materials:Stainless steel and aluminum wire
Dimensions:
Location:Chauncey Swan Parking/Park
415 E Washington St, Iowa City, IA 52240
Description:Dorothy was originally commissioned and funded by a small group of local businesspeople and artists
wanting to showcase downtown Iowa City as the epicenter of culture in eastern Iowa. The sculpture,
representing a tornado, was placed on the pedestrian mall, and most recently relocated to the
Chauncey Swan Parking Ramp reflecting off the bright blue windows of the stair tower. The sculpture
was dedicated to Larry Eckholt, a tireless leader in advocating for the arts who passed away in 2002.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Justine ZimmerArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
16Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:17:28
PM
Date:
The site was clean and free of debit. The object is mounted on a iron alloy base (corten, est.) in an outdoor building
alcove. No nearby or overhanging vegetation. The artwork should be washed and cleaned of debris as possible 1-2 times
annually.
Site Notes and Maintenance Recommendations:
Soiling and debris accumulating at bottom. The wires have two sections that have different amounts of
corrosion. It is unknown if this is an intended appearance or if different types of wires were installed that have
aged/corroded at different rates. There is chicken wire over the opening at the top of the sculpture, likely to
prevent debris from accumulating.
Condition:
Annual maintenance is recommended, including washing the object with 1% Orvus in water and removing
debris within the wires. If possible, the client should determine if the different rates of corrosion in the metal
are acceptable to the artist.
Treatment Recommendations:
Title:Love is Strange, 2005
Materials:Steel rebar and cement
Dimensions:
Location:Willow Creek Park - north end / Benton St
1117 Teg Dr, Iowa City, IA 52246
Description:The Public Art Advisory Committee commissions Seth Goddard to create Love is Strange as part of an
initiative by the PAAC to display more University of Iowa student artwork in the community. The
sculpture features two embracing figures and is constructed out of metal rebar and cement. The site
where it is located at Willow Creek Park is somewhat remote and surround by a grove of trees, lending
eeriness to the sculpture.
http://www.vectortheartoffabricating.com/
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Seth GodardArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
17Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/9/2024
11:22:17 AM
Date:
The object is located on a grassy lawn on a metal pedestal in a public park. The site was clean and free of debris at the
time of the examination. There is vegetation (trees) present overhead the sculpture and leaves were found scattered in
the sculpture and wedged along the base. The object should be cleaned annually with 1% Orvus and water. Stiff natural
or plastic bristle brushes can be used to reduce the lichen growth on the surfaces.
Cracks and small losses should be monitored for worsening. Care should be taken in these areas when cleaning.
Site Notes and Maintenance Recommendations:
The sculpture is in good condition at this time and is structurally stable. There is some soiling and lichen
accumulation on the surfaces. Slight cracks are visible along some areas of rebar. Losses are also evident in
areas of exposed rebar indicated by the texture difference in the concrete of losses and areas of intact
surface. Some corrosion is evident along the edges of the rebar but is minor at this time.
Condition:
Tkreatment is recommended to clean the object overall, reduce lichen as possible. The artwork should be
monitored for additional losses or worsening of cracks and/or corrosion along the rebar elements.
Treatment Recommendations:
Title:Just for Kicks, 2006
Materials:Hi-strength aluminum
Dimensions:
Location:Kickers Soccer Park - near Soccer Park Rd
4400 Soccer Park Rd, Iowa City, IA 52240
Description:Designed as a tribute to the hundreds of soccer players and teams that play every year at the Kickers
Soccer Park – Just for Kicks is designed to slowly rotate to show off all the players with various colored
uniforms playfully kicking soccer balls.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Don MitchellArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
18Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/10/2024
11:54:54 AM
Date:
The object is located in a grassy area at a soccer park. The artwork is mounted on a concrete pad. At the time of the
examination, the site was clean and free of debris with no nearby vegetation. The artwork is accessible to visitors. The
artwork should be washed with 1% Orvus and water annually.
Site Notes and Maintenance Recommendations:
The object is in good condition at this time. The primary concern is some fading, blistering (heat related?), and
slight paint losses in the design. Some soiling is present overall. The hardware, assembly, and structural
components all seem intact and in good condition. No corrosion was visible.
Condition:
Treatment is recommended to clean the sculpture overall and to examine the top elements more closely.
Two additional treatment options are available if the appearance of the artwork is deemed unacceptable.
1. Tone small losses in the paint system. This would apply to small chips and losses and would not address
the fading and blistering areas.
2. Deinstall the artwork for a complete repainting. This would be considered a major treatment and would
require clear parameters by the client for application method, type, gloss, and color of coating. The
conservators are able to advise on repainting materials and methods if the work is carried out by a local paint
shop.
Treatment Recommendations:
Title:Solar Marker, 2000
Materials:Granite and glass
Dimensions:
Location:City Plaza - Near Dubuque St alley, west
210 S Dubuque St, Iowa City, IA 52240
Description:One of four sculptures installed on the newly renovated pedestrian mall in 2000/2001, Solar Marker
and Balance were chosen through a public selection process. The two sculptures, made of granite and
cut glass, were originally located in the Black Hawk Mini park area of the pedestrian mall. In 2019, they
were relocated further south during a renovation of the pedestrian mall.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Christoph SpathArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
19Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:17
PM
Date:
Site is clean and free of debris. Object placed on a concrete pad in a woodchip boulevard between two walkways. There
are trees nearby by no direct overhanging vegetation. Object is immediately accessible to the public.
Glass should be monitored for worsening breaks, changes in condition, or losses. Annual maintenance is recommended,
including washing with 1% w/v Orvus in water.
Site Notes and Maintenance Recommendations:
Slight soiling overall. Scuffs along granite visible. Small losses and cracks in the glass layers are visible but no
instability or major structural concerns are noted.
Condition:
Clean the artwork, remove scuffs and accretions as possible. Wax and buff the bronze plaque.
Treatment Recommendations:
Title:Balance, 2000
Materials:Granite and glass
Dimensions:
Location:City Plaza - near Dubuque St alley, east
210 S Dubuque St, Iowa City, IA 52240
Description:One of four sculptures installed on the newly renovated pedestrian mall in 2000/2001, Solar Marker
and Balance were chosen through a public selection process. The two sculptures, made of granite and
cut glass, were originally located in the Black Hawk Mini park area of the pedestrian mall. In 2019, they
were relocated further south during a renovation of the pedestrian mall.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:3
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Christoph SpathArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
20Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 1:45:13
PM
Date:
Site is clean and free of debris. Object placed on a concrete pad in a woodchip boulevard between two walkways. There
are trees nearby by no direct overhanging vegetation. Object is immediately accessible to the public.
Glass should be monitored for worsening breaks, changes in condition, or losses. The vertical crack at the top of the
base should be monitored (photographed yearly) for worsening. Annual maintenance is recommended, including
washing with 1% w/v Orvus in water.
Site Notes and Maintenance Recommendations:
There is a vertical crack in the stone pedestal extending from the top of pedestal to the start of the carved zig-
zag motif, approximately 6 inches in length. Small losses and cracks in the glass layers are visible but no
instability or major structural concerns are noted.
Condition:
Clean the artwork, remove scuffs and accretions as possible. Wax and buff the bronze plaque.
Treatment Recommendations:
Title:Geese (28)
Materials:Bronze
Dimensions:
Location:Goosetown street signs at intersections
10 x 5 block grid, bound by Brown, Reno, E
Description:The neighborhood was originally settled by Czech immigrants and gets its name from the geese and
other livestock known to wander the streets and alleyways in the 1800s. The word ‘Goosetown’ is on
one side of the markers; the Czech translation, Husí Město, is on the other. There are 25 markers in
all, including five different designs. Each marker is cast in bronze and weighs about four pounds.
This project came to be because of the initiative and enthusiasm of neighborhood residents. The
concept, inspiration, and the actual markers themselves came from Goosetown Neighborhood
residents. The project was funded by the City of Iowa City Neighborhood Art Project, part of the City’s
Public Art Program.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
John CoyneArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
21Rank:
***the following represent many pieces as part of a
series. I would suggest we skip the "condition" portion
of the assessment for these and just look at a couple to
determine ongoing maintenance or repair
recommendations:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/10/2024
3:20:08 PM
Date:
Five Geese sign toppers were viewed by the conservator. The conservator recommends annual maintenance of
reviewing each topper and and its connection point on the sign post. If needed, the Geese can be washed with 1% Orvus
and water and a paste wax can be applied.
Site Notes and Maintenance Recommendations:
The Geese all appeared to be in good condition. They were viewed from the ground, but no major conditions
were visible. Some of the Geese had a slight tilt when viewed from the side and could be the result of a loose
hardware connection at the top of the sign.
Condition:
No treatment is required at this time.
Treatment Recommendations:
Title:Houses (35)
Materials:Aluminum
Dimensions:
Location:Northside street signs at intersections
10 x 5 block grid, bound by Dubuque, Brown, N
Description:The Northside of Iowa City is one of the city’s oldest neighborhoods, encompassing a portion of the
original Iowa City Plat Map created in 1839. The Northside features architecture styles of Queen-Anne,
Craftsman, Bungalow, and American Foursquare. Six different designs were installed at 42 street
corners in the Northside, each inspired by historic houses in the neighborhood.
The Northside Housing Markers were conceptualized and inspired by Northside Neighborhood
residents. The project was funded by the City of Iowa City Neighborhood Art Project, part of the City’s
Public Art Program.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
John CoyneArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
22Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/10/2024
3:40:01 PM
Date:
Three House sign toppers were viewed by the conservator. The conservator recommends annual maintenance of
reviewing each topper and and its connection point on the sign post. If needed, the Houses can be washed with 1%
Orvus and water.
Site Notes and Maintenance Recommendations:
The Houses all appeared to be in good condition. They were viewed from the ground, but no major conditions
were visible. Some of the Houses had a slight tilt when viewed from the side and could be the result of a loose
hardware connection at the top of the sign. At least one House was likely missing at the corner of N Johnson
St and Davenport St.
Condition:
No treatment of the installed Houses is recommended. The number of missing houses should be determined
by the client if replacement of missing components is desired.
Treatment Recommendations:
Title:Emergence, 2020
Materials:4 aluminum sculptures - 2 grasses, 2 mandalas
Dimensions:
Location:James Alan McPherson Park -near garden shelter
1858 7th Ave Ct, Iowa City, IA 52240
Description:The installation is part of a series of Community Garden installations intended to provide a focus point
and gathering area in area community gardens. The title 'Emergence' was chosen by the artist as a
direct response to COVID-19 crisis occurring when this artwork was installed. The artist’s hope was
once people can finally emerge from their quarantines and congregate in groups, these sculptures will
stand as a warm welcome back to our communal spaces.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Cara BriggsArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
23Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 3:20:50
PM
Date:
The artwork is located near/in a community garden at the James Alan McPherson Park. The artwork consists of four
aluminum sculptures installed behind stone benches immediately adjacent to vegetation. At the time of the examination,
the site was clean and free of debris. The artworks are accessible to the public and in some cases may be intended for
interaction when visitors are resting on the benches (as seatbacks/supports). The artworks should be annually washed
with 1% Orvus in water and cleared of overgrown vegetation.
Site Notes and Maintenance Recommendations:
The sculptures are in good condition at this time. There is slight soiling overall. The shape of the welds vary
through the sculptures but the forms are all structurally sound. The welds and machine marks along the top
the 'grass' forms have a slight reddish color that is indicative of iron corrosion. As the material line is listed as
aluminum (which has a whitish corrosion pattern), it is possible the surfaces in these areas were contaminated
with an iron containing abrasive material (i.e. cutting wheel) or an iron containing welding rod.
Condition:
No treatment is recommended at this time. The artwork should be monitored yearly, and areas of welds or
discolored welds should be noted for changes or worsening conditions.
Treatment Recommendations:
Title:Three Sisters, 2019
Materials:Metal
Dimensions:
Location:Chadek Green Park
1920 Friendship St, Iowa City, IA 52245
Description:Three Sisters is named after the three Chadek sisters, the family is the namesake of the park. These
three metal sculptures displayed in the center of the park. They are open-structure spheres that
resemble upside-down tulip blossoms. Briggs Farmer thought it was very important for these
sculptures to represent the history of the Chadek Green land.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Cara BriggsArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
24Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:57:47
PM
Date:
The artwork is three metal circular structures located at the southern entrance of the Chadek Green Park. Each structure
has multiple contact points with the ground that are supported with small concrete pads and bolts. The structures all were
firmly secured and showed no movement.
The artwork should be washed annually with 1% Orvus in water and vegetation overgrown over the mounting pads and
hardware should be trimmed in order to monitor condition.
Site Notes and Maintenance Recommendations:
There was slight soiling and rain pattern visible on the bottom of the rounded surfaces. The structures
otherwise appear to be in excellent condition.
Condition:
No treatment is required at this time.
Treatment Recommendations:
Title:Impermanence is Inevitable, 2008
Materials:Cut aluminum
Dimensions:
Location:Highway 6/Iowa Avenue Pedestrian twirly bridgeW
Iowa Ave & HWY 6 (41.661098, -91.541948)
Description:Brian Fritz created and installed this sculpture in the 1990’s in the center of the circular ramp that leads
pedestrians up to the bridge that crosses the Iowa River at Iowa Avenue. The artists donated the
sculpture to the City in 2008.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Brian FritzArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
25Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/8/2024 2:12:53
PM
Date:
Object is mounted on a concrete pillar in the middle of a pedestrian structure. The artwork is not readily accessible to the
public. There is no nearby vegetation. The site and concrete top was clean and free of debris at the time of examination.
The object can be washed annually with 1% Orvus and water, however dirt and grim buildup was minimal and
concentrated along the base of the artwork.
Site Notes and Maintenance Recommendations:
There is a slight curve/bent visible in the object, it is unclear if it is inherent to the manufacture or a new
condition. It does not impact the visual understanding of the artwork.
The object is in excellent condition overall. There is some cracking in the concrete pedestal and the concrete
structure of the walkway has areas of loss but do not appear to be related to the sculpture.
Condition:
No treatment is required for this artwork.
Treatment Recommendations:
Title:Simple Flight, 2009
Materials:Painted Steel
Dimensions:
Location:Penninsula Park - near park's entrance to Iowa
River ped bridge Easiest entry: 515 1st Ave,
Description:Originally installed as a temporary sculpture to greet visitors to the Peninsula Park and pedestrian
bridge that spans the Iowa River from the park to Coralville, the metal and powder coated dragonfly
was purchased and remains as a permanent installation at this location.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Jason MessierArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
26Rank:
November 2022 restored by David Dennis
"fabricate template for polyethylene buffer; sandblast;
powder coat all areas of sculpture; fabricate ¼”
polyethylene buffer between sculpture and existing
concrete base; secure to base with stainless anchors;
install with ¼” polyethylene buffer on existing concrete
base. "
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/8/2024
11:32:25 AM
Date:
The artwork is located a few feet off of a public walking path in Peninsula Park. The artwork is bolted to a concrete base
that is located near some vegetation and shrubs. At the time of examination there was overgrown vegetation in contact
with the artwork.
Annual maintenance is recommended, including washing with 1% w/v Orvus in water and trimming plants in immediate
contact with the artwork.
Site Notes and Maintenance Recommendations:
Per client notes, the artwork was restored in 2022 and is currently in excellent condition. There is some slight
soiling and insect debris overall.
Condition:
No treatment is required for this artwork.
Treatment Recommendations:
Title:Komorebi, 2019
Materials:Aluminum, brushed, laser cut and back lit
Dimensions:
Location:City Hall Lobby wall
410 E Washington Street, Iowa City, IA 52240
Description:Komorebi, meaning sunlight filtering through trees, is installed in the staircase just inside the lobby of
City Hall. The sculpture is designed to replicate the bark of a Shagbark Hickory Tree, a tree native to
Iowa, through cuts in the metal surface that are peeled back away from the wall. The frequency of
peeling sections increases from one side to the other, correlating to the population growth of Iowa City.
A timeline is engraved in the surface, with engraved years appearing at each interval. LED lights
behind the sculpture shine through the open spaces of the metal to create a beautiful light effect.
Surface:
Abrasion/Scratches
Accretions
Bloom
Coating
Coating Loss
Corrosion ACTIVE
Corrosion STABLE
Crazing/Blanching
Dirt/Dust/Grime
Discoloration
Fading
Flaking
Graffiti
Pitting
Staining
Wear
Structure:
Brittleness/Stiffening
Breaks
Crack
sDeformation
Delamination
Dents/Gouges
Loose Parts
Loss of Structural Integrity
Losses
Missing Elements
Previous Repair
Spalling/Sugaring
Tears
Biological Activity:
Guano
Insects
Pests
Mold
Lichen
Other Organic Growth
Conservation Priority:4
Iowa City
Public Art Survey 2024
Midwest Art Conservation Center
Tim AdamsArtist:
Vandalism
Hazardous Materials
Structural Hazard
COLLECTIONS OR PUBLIC RISK:
Stable
UNSTABLE
Unsightly
Historic Repair
Artist Repair
Previous Restoration:
27Rank:
Notes on Conservation History
Treatment or Maintenance Required:
None
Minor (<10 hours)
Moderate (10-25 hours)
Major (>25 hours)
Megan RandallConservator:10/7/2024 2:52:08
PM
Date:
The artwork is located inside the Iowa City City Hall Lobby over a staircase. The lower sections of the artwork are
accessible to the public. Maintenance is recommended as needed to address soiling or accretions as noticed with a
clean microfiber cloth dampened slightly with water.
Site Notes and Maintenance Recommendations:
The artwork is in excellent condition at this time. There is some slight scuffs and spatters/darkening along the
lower sections of the metal. One small piece of tape reside is visible. The electrical components are audible
(hum) and the installation alignment marks on the wall are visible.
Condition:
No treatment is required at this time. MACC conservators can advise on cleaning if needed. No losses in
lighting or functionality visible.
Treatment Recommendations:
Accession #:
Title:Medicine for the Soul
Medium:Acrylic on cement primed masonry
Dimensions
(H x W):
Conservation Priority:1
Iowa City
Public Art Survey
Completed by Midwest Art Conservation Center
Alexa BellerConservator:
Anne UllerichArtist:
The building has larger water infiltration issues to mitigate before any restoration work is attempted on the mural. After
this the mural would require large scale intervention and repainting after structural repairs. Numerous areas are flaking
and would require removal, filling, and retouching. The dirt and accretions can be removed with water. The tags
(vandalism) on the surface appears soluble in acetone, but this would affect the acrylic paint and leave a hazy surface
that would require retouching.
While surface coatings can help create a barrier against vandalism, a coating is not recommended for this wall. The
moisture issues in the structure would be exacerbated by a coating that would effectively lock the moisture into the wall.
Painted placard reads, "MEDICINE FOR THE SOUL!/2001 RESTORED 2011/ARTIST/Annie Ullerich
Sorey/COMMISSIONED BY:/SANDRA NAVALESI OF DUCLCINEA/JANET L. MOORE + C RORERT WICKEL/CITY
OF IOWA CITY."
Recommendations
Structural Treatment
Aesthetic Treatment
Evidence of moisture issues elsewhere on
the structure.
Site Notes:
Curatorial Priority:
4/22/2025 11:00:24
AM
Date
2 S Dubuque StLocation:
Signature in painted placard by store doorInscription/Signature Notes:
COLLECTIONS OR PUBLIC RISK:
Surface
Possible coating is likely localized and not able to be characterized with solvent tests.
Support
2 Accession Number
Medicine for the SoulTitle
stretcher strainerAuxiliary # Members:Type and # Keys:
stable warped beveled adequate planar broken new stretcher neededCondition:
Corrosion and loss is corresponding to metal rebar or framing in the wall.
Primary
heavy medium fineWeight:linen cotton blend jute lined strip linedMaterial:
Adhesive:
fabric panel masonry plaster drywall concrete asphalt
brittle
slack
adequate tension
bulges
stretcher creases
tears
holes
water damage
mold
Lining: delaminating
Lining: well-adhered
checks
cracks
splits
warped
spalling
efflorescenceCondition:
Ground
unknownType:whiteColor:Texture:Thickness:
cracked active flaking tacking margins commercial artist preparedCondition:
Areas of medium migration are in the sea and book corner (looks like network of gaping cracks).
Paint
acrylicMedium:thinStructure:Directly
painted (wet-
Technique:noneImpasto:
cupping
tenting
blistering
overcleaned
damage from alterations
heat damage
fadingCondition:active stable pin-pointFlaking:
including ground
interlayer
blindCleavage:
abrasions old losses new losses scratchesLosses:
light
moderate
heavy
uneven
accretions
debris
staining
vandalism
finger marks
Dirt/Grime:none
thin
moderate
heavy
uneven
natural
syntheticVarnish:
oxidized
yellowed
discolored
saturation poor
bloomed
moisture damaged
cracked scratched
drips
pooled
burnished
over glossy
biofilm
efflorescenceCondition:
none visible oil synthetic reversible light moderate heavy discoloredOverpaint:
open
closed
plain
twill
herringbone
other
Weave:tacked
stapled
torn/degraded
intact
not intactEdges:
mechanical drying tensionCracks:
Accession #:
Title:Whole
Medium:Paint on concrete
Dimensions
(H x W):
Conservation Priority:2
Iowa City
Public Art Survey
Completed by Midwest Art Conservation Center
Alexa BellerConservator:
Brock MuenchArtist:
The mural was not accessible for a comprehensive examination. From a distance the noticeable condition issues are
cracks near the sides of the mural, which appear to be harboring chipmunks. There is visible flaking near the lower
edge and corners as well as scattered losses in the central composition. The surface appears to have a heavy
accumulation of dirt and grime.
The surface should be cleaned of dirt and debris. The cracks should be filled and the wildlife prevented from entered
the structure. Loose paint should be removed and retouched to match as closely as possible. Retouching will not be
reversible, but will improve the aesthetics of the mural.
Recommendations
Structural Treatment
Aesthetic Treatment
Under a bridge and across a drainage
canal
Site Notes:
Curatorial Priority:
4/22/2025 11:36:46
AM
Date
450 E. Burlington StLocation:
Signed in the lower right with white paint, “BEM/2014 IOWA CITY/PUBLIC ART
PROJECT”
Inscription/Signature Notes:
COLLECTIONS OR PUBLIC RISK:
Surface
Coating presence is unclear from a distance.
Support
2 Accession Number
WholeTitle
stretcher strainerAuxiliary # Members:Type and # Keys:
stable warped beveled adequate planar broken new stretcher neededCondition:
Cracks are visible at the corners.
Primary
heavy medium fineWeight:linen cotton blend jute lined strip linedMaterial:
Adhesive:
fabric panel masonry plaster drywall concrete asphalt
brittle
slack
adequate tension
bulges
stretcher creases
tears
holes
water damage
mold
Lining: delaminating
Lining: well-adhered
checks
cracks
splits
warped
spalling
efflorescenceCondition:
Ground
unknownType:whiteColor:Texture:Thickness:
cracked active flaking tacking margins commercial artist preparedCondition:
The medium is unclear. Flaking is at the lower edge and corners. Scattered losses are in the central composition.
Paint
Medium:Structure:Technique:Impasto:
cupping
tenting
blistering
overcleaned
damage from alterations
heat damage
fadingCondition:active stable pin-pointFlaking:
including ground
interlayer
blindCleavage:
abrasions old losses new losses scratchesLosses:
light
moderate
heavy
uneven
accretions
debris
staining
vandalism
finger marks
Dirt/Grime:none
thin
moderate
heavy
uneven
natural
syntheticVarnish:
oxidized
yellowed
discolored
saturation poor
bloomed
moisture damaged
cracked scratched
drips
pooled
burnished
over glossy
biofilm
efflorescenceCondition:
none visible oil synthetic reversible light moderate heavy discoloredOverpaint:
open
closed
plain
twill
herringbone
other
Weave:tacked
stapled
torn/degraded
intact
not intactEdges:
mechanical drying tensionCracks:
Accession #:
Title:Underwater Scene
Medium:Acrylic on wood composite siding
Dimensions
(H x W):
Conservation Priority:2
Iowa City
Public Art Survey
Completed by Midwest Art Conservation Center
Alexa BellerConservator:
Taylor RossArtist:
There is a wasp issue on the structure eves. Cover the mural before spraying insecticide. Public works staff onsite at
the time of the examination commented that wasp presence on this structure is common and has been mitigated in the
past. Overspray from the pesticide may be a risk.
The is soft wet wood lower edge falling apart with associated paint losses. We recommend allowing the wood to dry
and coating the lower edge with an exterior grade clear coat to prevent the siding from wicking up moisture.
White accretions are near the squid tentacles. They are water soluble, but the paint is also friable and desiccated.
Removal will also mobilize some pigment particles and leave a hazy surface. The drying cracks across the surface
appear stable.
Loose paint may need to be removed and retouched to match the color and matte finish as best as possible.
Recommendations
Structural Treatment
Aesthetic Treatment
In Fairmeadows Park on a shelter next to
the splash pad
Site Notes:
Curatorial Priority:
4/22/2025 1:27:43
PM
Date
2451 Miami DrLocation:
Inscription/Signature Notes:
COLLECTIONS OR PUBLIC RISK:
Surface
Very matte surface. Likely desiccated by sun exposure.
Support
2 Accession Number
Underwater SceneTitle
stretcher strainerAuxiliary # Members:Type and # Keys:
stable warped beveled adequate planar broken new stretcher neededCondition:
Composite wood siding. There are scattered gouges. The lower edge is soft, wet, and crumbling.
Primary
heavy medium fineWeight:linen cotton blend jute lined strip linedMaterial:
Adhesive:
fabric panel masonry plaster drywall concrete asphalt
brittle
slack
adequate tension
bulges
stretcher creases
tears
holes
water damage
mold
Lining: delaminating
Lining: well-adhered
checks
cracks
splits
warped
spalling
efflorescenceCondition:
Ground
unknownType:whiteColor:NoneTexture:thinThickness:
cracked active flaking tacking margins commercial artist preparedCondition:
Flaking is at the lower edge. Scatter losses are near the gouges. Paint is tented by some of the siding joints.
Paint
acrylicMedium:thinStructure:Directly
painted (wet-
Technique:noneImpasto:
cupping
tenting
blistering
overcleaned
damage from alterations
heat damage
fadingCondition:active stable pin-pointFlaking:
including ground
interlayer
blindCleavage:
abrasions old losses new losses scratchesLosses:
light
moderate
heavy
uneven
accretions
debris
staining
vandalism
finger marks
Dirt/Grime:none
thin
moderate
heavy
uneven
natural
syntheticVarnish:
oxidized
yellowed
discolored
saturation poor
bloomed
moisture damaged
cracked scratched
drips
pooled
burnished
over glossy
biofilm
efflorescenceCondition:
none visible oil synthetic reversible light moderate heavy discoloredOverpaint:
open
closed
plain
twill
herringbone
other
Weave:tacked
stapled
torn/degraded
intact
not intactEdges:
mechanical drying tensionCracks:
Accession #:
Title:Tim Dwight Mural
Medium:
Dimensions
(H x W):
Conservation Priority:2
Iowa City
Public Art Survey
Completed by Midwest Art Conservation Center
Alexa BellerConservator:
Eric Seckel and Tim LindenArtist:
Would need access to the artwork to provide more information on its condition.
The substrate appears to be metal sheets butt joined and mounted to masonry with brackets and cleats with an
approximately 6” gap. The figure is comprised of additional metal sheets mounted with brackets another approximately
4” proud to create a dimensional effect.
Debris should be removed from behind the artwork. The metal sheets appear slightly warped and there are losses
along the edges with what appears to be corrosion. These should be examined more closely.
Recommendations
Structural Treatment
Aesthetic Treatment
Mounted high and over dumpsters.
Masonry appears stable.
Site Notes:
Curatorial Priority:
4/22/2025 10:03:15
AM
Date
12 S Dubuque StLocation:
Signed near lower left “Eric Seckel”Inscription/Signature Notes:
COLLECTIONS OR PUBLIC RISK:
Surface
Debris is accumulated behind the artwork. The coating is not clear without access to testing.
Support
2 Accession Number
Tim Dwight MuralTitle
stretcher strainerAuxiliary # Members:Type and # Keys:
stable warped beveled adequate planar broken new stretcher neededCondition:
Metal panels. There is corrosion visible at the edges and slight warping down the center join.
Primary
heavy medium fineWeight:linen cotton blend jute lined strip linedMaterial:
Adhesive:
fabric panel masonry plaster drywall concrete asphalt
brittle
slack
adequate tension
bulges
stretcher creases
tears
holes
water damage
mold
Lining: delaminating
Lining: well-adhered
checks
cracks
splits
warped
spalling
efflorescenceCondition:
Not visible
Ground
Type:Color:Texture:Thickness:
cracked active flaking tacking margins commercial artist preparedCondition:
Abrasions are visible across. Losses are at the edges. Access is needed for better idea of medium and condition.
Paint
Medium:Structure:Technique:Impasto:
cupping
tenting
blistering
overcleaned
damage from alterations
heat damage
fadingCondition:active stable pin-pointFlaking:
including ground
interlayer
blindCleavage:
abrasions old losses new losses scratchesLosses:
light
moderate
heavy
uneven
accretions
debris
staining
vandalism
finger marks
Dirt/Grime:none
thin
moderate
heavy
uneven
natural
syntheticVarnish:
oxidized
yellowed
discolored
saturation poor
bloomed
moisture damaged
cracked scratched
drips
pooled
burnished
over glossy
biofilm
efflorescenceCondition:
none visible oil synthetic reversible light moderate heavy discoloredOverpaint:
open
closed
plain
twill
herringbone
other
Weave:tacked
stapled
torn/degraded
intact
not intactEdges:
mechanical drying tensionCracks:
Accession #:
Title:Oracles
Medium:Acrylic on concrete aggregate block
Dimensions
(H x W):
Conservation Priority:2
Iowa City
Public Art Survey
Completed by Midwest Art Conservation Center
Alexa BellerConservator:
Antoine Williams and Donte K. HayesArtist:
The site requires bird mitigation at the top of the towers to prevent feces accumulation on the surface.
There are seven didactics on corrugated board wrapped around the columns between the murals. These exhibit a
variety of condition issues including fading, delamination, and accumulated bird debris.
The right mural has horizontal cracks (near the figure’s head and neck) with dripping accretions that should be
examined more closely. There are scattered losses and accumulated dirt near the lower portion of the mural. The
flexible mortar lines have more widespread flaking and loss. The left mural has accumulated dirt and debris as well as
lower abrasions, but the mortar lines appear more stable. Dirt should be cleaned from the surface. Loose paint should
be removed and losses should be retouched as best as possible.
Recommendations
Structural Treatment
Aesthetic Treatment
On Capitol St. parking rampSite Notes:
Curatorial Priority:
4/22/2025 8:52:40
AM
Date
19 E. Burlington St.Location:
Inscription/Signature Notes:
COLLECTIONS OR PUBLIC RISK:
Surface
Dirt is mostly near the bottom of the murals. Bird debris is visible mostly on the right mural.
Support
2 Accession Number
OraclesTitle
stretcher strainerAuxiliary # Members:Type and # Keys:
stable warped beveled adequate planar broken new stretcher neededCondition:
Paint goes across concrete blocks and mortar joints.
Primary
heavy medium fineWeight:linen cotton blend jute lined strip linedMaterial:
Adhesive:
fabric panel masonry plaster drywall concrete asphalt
brittle
slack
adequate tension
bulges
stretcher creases
tears
holes
water damage
mold
Lining: delaminating
Lining: well-adhered
checks
cracks
splits
warped
spalling
efflorescenceCondition:
Ground
unknownType:whiteColor:MinimalTexture:thinThickness:
cracked active flaking tacking margins commercial artist preparedCondition:
Cracking and loss is most prevalent in right mural’s mortar joints.
Paint
acrylicMedium:thinStructure:Directly
painted (wet-
Technique:noneImpasto:
cupping
tenting
blistering
overcleaned
damage from alterations
heat damage
fadingCondition:active stable pin-pointFlaking:
including ground
interlayer
blindCleavage:
abrasions old losses new losses scratchesLosses:
light
moderate
heavy
uneven
accretions
debris
staining
vandalism
finger marks
Dirt/Grime:none
thin
moderate
heavy
uneven
natural
syntheticVarnish:
oxidized
yellowed
discolored
saturation poor
bloomed
moisture damaged
cracked scratched
drips
pooled
burnished
over glossy
biofilm
efflorescenceCondition:
none visible oil synthetic reversible light moderate heavy discoloredOverpaint:
open
closed
plain
twill
herringbone
other
Weave:tacked
stapled
torn/degraded
intact
not intactEdges:
mechanical drying tensionCracks:
MEMORANDUM
DATE: May 30, 2025
TO: Iowa City Public Art Advisory Committee
FROM: Rachel Kilburg Varley, Public Art Coordinator
RE: Agenda Item #2 – Consider Approval of FY26 – FY30 Public Art Strategic Plan
The draft Strategic Plan document following this memo is a redlined version with changes
incorporated from the Committee’s discussion at the May 1, 2025 meeting. The PAAC is invited
to consider the updated draft for approval, with or without changes, at the June 5 meeting.
Following approval of the plan language, it will be turned over to the City’s Communications
Division for design and the final planning document will subsequently be shared with the PAAC
and stakeholders.
Log of strategic planning steps:
• PAAC review of current (FY21-25) Strategic Plan progress – completed Jan 2024
• PAAC review of budgetary and geographic distributions – completed July 2024
• Arts Stakeholder Input Meeting – completed August 2024
• Public input survey – completed January 2025
• PAAC strategic priorities discussion – completed March 2025
• PAAC strategic planning work session – completed May 2025
Public Art Advisory Committee (PAAC) Strategic Plan | FY2025–FY2030
Mission & Vision The PAAC champions inclusive, inspiring, engaging, and accessible public art that reflects the unique identity of our community. We envision a vibrant public art ecosystem that enhances civic life, supports local artists, and fosters meaningful community connections.
Core Values
• **Equity & Inclusion**: Prioritize Welcome diverse voices, artists, and neighborhoods historically underrepresented in public art.
• **Sustainability & Stewardship**: Preserve and care for existing assets while building a future-ready public art collection.
• **Collaboration & Creativity**: Maximize impact through partnerships, innovation, and resource-sharing.
Impact Areas & Key Actions
1. Maintenance & Stewardship Preserve the integrity and longevity of the City’s public art collection.
• Implement recommendations from the Public Art Condition Assessment; aiming to complete at least 1 maintenance or repair project per year.
• Update Public Art Management Guidelines to implement a timeline, and process, and communication standards for removal or deaccessioning of aging, unsalvageable, or non-maintainable works.
• Maintain updated condition records and prioritize maintenance planning and budget set-aside annually.
• Develop standard procedure for evaluating the anticipated lifespan and maintenance needs for new or proposed permanent installations.
2. Artist Workforce & Local Creative Economy Invest in and uplift the work of local artists and creatives.
• Continue annual public art grant program; aiming to increase visibility and grow the diversity of the applicant pool by 20% over 3 years.applicants, project types, and locations.
• Offer professional development resources or info sessions for local artists twice annually.
• Help connect local artists with Explore opportunities and partnerships to increase access and affordability of studio space.accessible and affordable studio space and exhibition opportunities through partners and existing community assets.
3. Strategic Partnerships & Funding Leverage limited resources for high-impact, community-centered projects.
• Pursue at least oneIdentify external grant programs andor funding opportunity opportunities per year (state, federal, philanthropic, or community partner cost-sharing) that may support organizational or stakeholder initiatives..
• Collaborate to support the partner-led Arts Alliance Feasibility Study and agreeable recommendations resulting from the effort.
• Through creative partnerships and/or programs, identify and promote and activate at least 2 underutilized or vacant indoor locations for pop-up or temporary art exhibits.
• Establish and formalize public art relationship with the University of Iowa.
• Elevate Iowa City Public Art communications through strategic and consistent content on existing City platforms.
• Convene an annual Arts Stakeholder meeting and prioritize regular, informal meet-ups with local arts groups and institutions.
4. Place-Based Expansion & Community Access Expand the reach and visibility of public art throughout the City.
• Identify underserved neighborhoods and/or public spaces to proactively target through existing City Public Art and Neighborhood Outreach grant programs.
• Enhance and re-activate existing digital public art map(s) to promote the current collection and guide self-led tours.
• Continue to prioritize pop-up, temporary, or mobile art experiences through community partnerships or annual grant programs each year.
• Execute a targeted funding opportunity or grant program set-aside for 2D/indoor installations and/or displays facilitated in public facilities.
• Support a major River-focused public art initiative by 2027, in collaboration with local and university stakeholders.
Tracking Progress The PAAC will revisit this plan annually to evaluate progress, align with new opportunities, and remain responsive to community needs. The Public Art Coordinator shall prepare an annual report to aid the PAAC in this annual review and to promote accomplishments to the public.